Ancient Game WAV

FANTASTiC | March 31 2017 | 1.56 GB

“Legends and war, cinematic adventures, epic quests now theres a sound effects library that is totally tuned to your visions of antiquated and ancient times! Includes over 1,500+ files all recorded in stunning 96k 24 bit resolution. Get on with your quest with our most exciting sound library yet! All files include Soundminer meta data.” 1508 files included – Get ready for adventure: Ancient Game gets you 1500+ designed and source MMO / game-ready audio assets. Step into a world of fantasy with Ancient Game – The Legendary RPG Adventure Game Sound Library! Includes Magic, Warfare, Gore, Treasures, Mechanisms, Monsters, Loop-able ambiences and more! All in 96k / 24 Bit for optimum clarity and supernatural sound.

Riddim Dubstep Weapons

TM DiSCOVER | December/28th/2017 | 257 MB

WAV / ABLETON LiVE TEMPLATE

Imagine an arsenal of unstoppable armor piercing dubstep samples and presets. Relentless riddim dubstep beats, drums and sounds. Meticulously crafted by top producers for maximum impact! On top of this, we have created a top notch riddim dubstep template for Ableton Live to inspire your future productions and help you learn how the pros construct their songs. Complete with royalty-free samples, presets and MIDI data. Enter the battlefield armed with Riddim Dubstep Weapons! – Grab it now!

Tiny Binaural Harpsichord³ KONTAKT

P2P | 28.12.2018 | 147 MB

The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). But, as always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing – it offers two completely unique and incredibly versatile ‘must have’ instruments for the modern player, sound designer or composer. Source samples were painstakingly recorded using OKM Binaural microphones, enabling the capture of omnidirectional stereo sound as experienced by the ear. The result is transparency and authenticity by the bucket load. The TBH³ delivers the resonant joy of a small period harpsichord, its ancient soundboard alive to the ring and thrum of quill plucked brass strings and the soft organic clunk of a worn wooden mechanism.

Vibes Vol.1 WAV MiDi

FANTASTiC | 27 December 2018 | 305 MB

This pack took a LONG time to finish. Every time somebody came up with a vibey new loop to play for the team, we all started staring into space, getting all cerebral, talking all deep about feelings and stuff. It’d go on for hours. And if anyone breathes a word of those conversations, they are OUT of here. What all that means for you is a sound pack that will turn you into a magician of mood setting. And whatever you’re building your music on, Vibes is your key to R&B perfection. It’ll even make that bargain basement laptop you like to mess around with into a sweet little studio. 91 melodies & music loops, 50+ kicks, snares hats & percussion, 42 vibey drum & percussion loops, 41 risers, falls & other sound effects,128 midi files. People will think you hired pro session players to come over the house.

Regal Rhythm KONTAKT

P2P | 26.12.2018 | 6.86 MB

Regal Rhythm is a very simple drum box with a typical vintage analogue sound. The six on-board preset rhythms cover the kind of staples you’d expect from more of a home-orientated (rather than studio grade) piece of kit, and there’s a slightly fuzzy, soft-edged tone to the whole thing that can work very nicely for chillout, downtempo tracks. It also comes in a neat royal red colour scheme that should cheer up anyone’s morning – and check out that real wood veneer ???? The sounds are limited but solid: kick drum, plus two flavours of snare, as well as the combinable presets (which of course tempo-sync to your host DAW). Saturation, compression and bit-crusher controls let you have a bit of extra fun with the tone.

Bass 3 KONTAKT

P2P | 27.12.2018 | 45 MB

Now this little thing is funky! The Hohner Bass 3 was an all-analogue minisynth that produced three preset bass tones: Guitar, String and Tuba. Don’t let the names fool you: this isn’t orchestral, nor is it folky. It’s just raw and wild: a thunky twang gives the Guitar patch its bite, the String setting is all low tone for instant depth, and the Tuba is snarly with a ton of overtones to help it cut through a mix (or to be low-pass filtered to get even more scope). It all came packaged in a little black leatherette suitcase that you could close up to take on the road; and opened, it could be perched atop your Rhodes on stage so you could riff with your right and hold down the bass with your left. It was like opening up a neat little package and finding the Biggest Sound In The World was hiding inside.

VL Calc KONTAKT

P2P | 26.12.2018 | KONTAKT | 76.15 MB

Something that was weirdly great about the 80s was the emergence of “things that are also other things”. For example: pencil erasers that also smell of candy. Or toy cars that are also toy robots. Or school calculators that are also tiny synthesisers. Casio’s VL Tone series of calculators really embodied an oddball notion taken to extremes: once you’ve solved the square on the hypotenuse as being equal to the sum of the squares of the other two sides of the triangle, why not kick back with some funky toonz? (Luckily there was a headphone jack built in, so that the surprisingly loud two-inch speaker didn’t distract the rest of the class from their studies.) Not only were there six preset sounds to fool around with, you could even – get this – program your own, by inputting laborious strings of numbers with the calculator switched to a special mode. With control over envelope, tone shape, vibrato and so on, you could come up with your own VL Tone patches, in a move which Casio presumably hoped was a kind of gateway drug to their bigger, more professional keyboards.