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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • VybeBeatz Gotem Drumkit3 WAV
    April 7th, 2014 ⚡
    Categories: Audio Samples

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    VybeBeatz Gotem Drumkit3 WAV

    Gotem | WAV | 73 MB



    Viewed 2369 By Music Producers.

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    • Toy Factory Ableton LiVE Pack
      April 7th, 2014 ⚡

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      Toy Factory Ableton Live Pack

      TEAM MAGNETRiXX | 07 April 2014 | 223 MB

      Twisted electronics, chaotic circuit-bent synthesizers and classic toy store favourites all await in this hacked, glitched and tricked out collection of curveball snthesis.  Built specifically for Ableton Live (Version 8 and above), Puremagnetik serve up over 300MB of 24-bit Wav multisamples pre-loaded across 30 Instrument Racks. All Racks are integrated with Ableton’s native effects, as well as being specifically routed to offer a range of Ableton Macro settings for comprehensive sound tweaking.



      Viewed 4789 By Music Producers.


      • TH Secret Sounds WAV
        April 7th, 2014 ⚡
        Categories: Audio Samples

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        TH Secret Sounds WAV

        TEAM MAGNETRiXX | 07 April 2014 | 45.7 MB

        TH opens the doors of his studio with “TH Secret Sounds”.

        He’s a well known and respected producer on the Techno scene since years with a great discography, he signed his Music on labels such as Bedrock, 1605, Drumcode, Suara, Deeperfect and is a long-time collaborator for Marco Bailey’s MB Elektronics.



        Viewed 2499 By Music Producers.

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        • The Metallic Collection K5.1.0 KONTAKT
          April 7th, 2014 ⚡
          Categories: Audio Samples

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          The Metallic Collection K5.1.0 KONTAKT

          Team SYNTHiC4TE | April 07 2014 | 238.7 MB

          We recorded the sound that different metallic items produce when you hit them. (Mainly with a small wrench) 22 monolith nki files, each nki contains 14 samples. That’s a total of 308 unique samples.



          Viewed 2308 By Music Producers.


          • Progressive Clavi D6 KONTAKT
            April 7th, 2014 ⚡
            Categories: Audio Samples

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            Progressive Clavi D6 KONTAKT

            TEAM MAGNETRiXX 07 April 2014 | 34 MB

            Progressive Clavi D6 is two sets of samples from the classic Clavinet, sampled as usual to worn tape on 60s valve equipment, to emulate the characteristics of the Mellotron.  There are over 40 patches each for ESX24 and Kontakt 4.2.2 – the intent of this pack is to explore new sonic possibilities from the Clavinet. Compatible with NNXT and Structure but no patches available. Progressive Clavi D6 can emulate bass, distorted guitar as well as gentler stringed instruments, and works really well for early 70s jazz/prog style electric piano (soft machine etc). Responds nicely to distortion and wah, and due to the valve/tape source of the samples. It also sounds great played through a valve amp – perfect for live.  The developer has used an extreme azimuth setting on the tape heads, creating a more ‘damaged’ and brittle sound. The artifact flecks enable bite on low settings with the clarity of the instrument retained.



            Viewed 3594 By Music Producers.


            • EDM Starter Kits Vol.2 WAV MiDi
              April 7th, 2014 ⚡

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              EDM Starter Kits Vol.2 WAV MiDi

              TEAM MAGNETRiXX | 07 April 2014 | 117 MB

              EDM Starter Kits is a small sample pack with powerful sounds. The pack includes 5 Construction Kits with all the basic sounds you need to create your next bigroom festival track, beats, bass, leads. The pack also includes midi files for lead synth or bass so you can combined it with your own sound. All the kits are key labeled. 38x24bit wav files + midi files



              Viewed 2848 By Music Producers.

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              • Spotlight Strings UPDATED Bertha KONTAKT
                April 7th, 2014 ⚡
                Categories: Audio Samples

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                Spotlight Strings UPDATED Bertha KONTAKT

                TEAM VON.G | 2014-04-06 | 4.14 GB

                Actually, Spotlight Strings started out as “Solo Strings 3” back in 2008. I was experimenting with Kontakt’s LFO abilities to simulate string vibrato. This was due to the fact that I wanted to be able to have the user manipulate vibrato in any way so as to suit his or her needs. At that time, it seemed there was really no way to realistically alter vibrato speed, intensity or fade-in time in real time by merely using samples and crossfading. So LFO manipulation seemed to be the solution. And also at that time, it seemed to me that there was just no convincing way to simulate a good string player’s vibrato using Kontatk’s LFO’s back then. It was ok, but not good enough.



                Viewed 2477 By Music Producers.


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