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FeelYourSound has released version 2.0 of the MIDI performance and songwriting solution MelodicFlow. The software is available as a VST2, VST3, and MIDI-AU plug-in for Windows and macOS. “For music producers, mastering every scale isn’t the goal; crafting perfect melodies is. MelodicFlow can help you achieve just that. Use MelodicFlow to create and play stunning melodies, basslines, and riffs quickly. You will never sound off, as all your input is mapped to the right notes instantly.” MelodicFlow generates new MIDI data (output) from other MIDI data (input). With a wide selection of over 300 scales to choose from, you can easily experiment with different scales and emotions to create unique melodies.
MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 can be used sound design, recording, mixdown sessions – even live performance!
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with hardware. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable! Don’t underestimate the few parameters in P42 Climax. It is chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain.