Dune 2 browser preset templates (466 files) for Maschine 2. Requires Dune 2 VST 32/64bit (not AU) and Maschine 2.2.4 or higher Browser preset template library for DUNE 2 (466 files) tagged and categorized in Maschine’s browser for quick browser access from the software and/or the hardware controller.
Amplifikation Creme, featuring ultra-precise digitally engineered head and matching cabinets with built-in overdrive section consisting three kinds of legendary overdrive pedals built right to the amp giving you a full control of harmonically-rich distortion crammed with intense dynamics.
In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.
About POCALOID: POCALOID is the ultimate hacked VOCALOID system by TEAM peace-out. Even if the vocal synthesis technology is a revolution of the software, its installations and systems are far from perfect. POCALOID was hacked and optimized for creators, the best way to use VOCALOID technology.
There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.
AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.
Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.
Ampeg, the historic brand that invented bass amplification, and IK Multimedia, the leader in amp-modeling plug-in technology, bring you the first bass amp plug-in with a real signature sound. A legendary bass sound from the leaders in bass amplification and modeling technology. Ampeg has made history with its bass amp sound, and now sets the future standard with this premier software plug-in. Made in conjunction with IK Multimedia, the leader in software modeling technology, this utility sports Ampeg’s legendary signature tones.
Sybilla Pro is a multi filter de-esser, unlike other traditional de-essers Sybilla Pro has 8 different tunable filters to effectively find the offending sibilance and feed the compressor that will reduce it. Sybilla Pro is a wideband de-esser, the compressor stage is driven by the sum of the output of the active filters above the threshold so that if the sibilance moves in frequency Sybilla Pro can follow it and never miss it. Another peculiarity of this plug-in is that the threshold is not fixed, but relative to the signal, the compressor is driven by the sum of the filters which is computed against the unfiltered signal, this difference is then used as key for the compressor. What happens with this kind of processing is that de-essing takes places even in softer passages where with traditional fixed threshold de-essers the signal must be above the set threshold for de-essing to take place.
Ohmforce’s most affordable plugin offers, as you would a expect, a unique palette of sounds, combining lowpass filtering and analogue crunch with a bundle of special features. You can easily tune the filter to resonate with specific notes in your music, and the built in harmonic multiband feature adds tons of warmth to your sound. For extreme fun, delay effects can be applied across the filters at the turn of a single knob, creating swish phasing or weird gliding echoes.Finally, why not dial in some distortion. Whether you like your music to scream in pain, or simply crave that phat, analog tone, Frohmage’s final overdrive stage is waiting to be abused
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