Nasty Looper PRO EVO is a powerful tool to make Live Performances! Nasty Looper PRO EVO is divided in 2 Banks…One for Shots with sequencers and another for Loops with full sync options. It loads .wav files and has Reverb. Plugin your MIDI Controllers and fire patterns and loops.
An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.
A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.
The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.
Pulsar 1178 is an audio plug-in (VST/VST3/AU/AAX) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.
HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.
Unleash the full potential of your audio recordings with the THR Compactor, a versatile and user-friendly audio compressor plug-in designed to enhance your music production experience no matter if you’re a complete beginner or a seasoned pro!
Achieve professional-grade results with LowEnhance, the ultimate audio plugin for enhancing your low frequencies. Compress, saturate, and sculpt your bass to perfection, transforming muddy mixes into tight and powerful soundscapes.
3-Band Multiband Compressor. Elevate your audio with precision and ease using THR MB-Control, the intuitive 3-band multiband compressor designed for producers and audio engineers who demand both quality and flexibility in their workflow.
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