The flexible, intuitive Retrologue 2 emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue 2 the first choice for producers everywhere.
X was created with the goal to achieve the biggest sound perceivable within two channels. Utilizing multiple psycho-acoustic effects it has quickly become a unique effect beyond a simple imaging tool. This is your X factor, if a sound is not where you want it, put your secret weapon on it. The power is in your hands now, I know you won’t disappoint me. You are now a sonic dimension creator!
ST1 is a simple tool that lets you control the width and the panorama of a stereo audio signal. It includes a mono-to-stereo function, a stereo field enhancer, a rich panning knob that includes spectral panning, and a bass-focus feature. The phase and correlation meter visually monitors the panning position and stereo width.
gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.
808 Bass Module III is a powerful 808 bass ROMpler for Windows and Mac users. 808 Bass Module III contains 185 ready-to-use and freshly designed layered presets, to bring grit and rumble to your productions. The sounds are now even more powerful and are ready to play in the key of your project.
We are pleased to present our new Plugin that we have called: Horror Box XL, big brother of our recent Halloween gift: Horror Box. Horror Box XL has an improved interface, more controls, more layers and an incredible collection of high quality sounds created with analog and digital synthesizers. Horror Box XL includes 101 Sounds created meticulously so that you have instant inspiration and start creating incredible atmospheres, melodies or disturbing and dark drones …
In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.
God’s Own Dither. A breakthrough adaptive algorithm reacts in real-time to the signal audio to preserve the maximum possible dynamic range at any bit depth. Select a dither color and dial in psychoacoustic noise shaping power to choose exactly the right hardness or softness for your final renders.
M-Audio’s Drum & Bass Rig delivers a wide variety of bass and drum sounds in a single virtual rack. Drum & Bass Rig incorporates four great sounding modules that can be used in stand-alone or plug-in mode. The RD-5 Real Drums module serves up tons of sampled drum kits and percussion. The EB-6 Electric Bass delivers authentic bass fingering, picking, slapping and more. The LC-7 Loop Creator allows easy and flexible creation and playback of sampled loops. And the BL-8 Bassline is ideal for creating electronic music bass lines. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.
Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.
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