Advanced Film & Game Sound Design Tool. Powerfully redesigned. Introducing new features and NKS-compatibility. A New Engine. Hybrid Unique. A unique virtual instrument with a powerful custom engine fully equipped to spark your creativity.
The tone-wheel and combo organs of the 60s and 70s have long since established themselves as modern classics that no producer’s sound palette should be without. VINTAGE ORGANS brings the classic organ sounds of the past to your productions and performances today. Five legendary vintage organs have been meticulously sampled, preserving their authentic character and charm in perfect, expressive detail. Part of the KOMPLETE instruments and effects family, VINTAGE ORGANS includes the sounds of the Hammond® B-3, C-3 and M-3 models, the Vox Continental™ II and the Farfisa® Compact, recorded in highest quality from the original instruments exclusively by Native Instruments. The Organ and Amp pages provide full control over sound through drawbars, percussion, chorus/vibrato, overdrive, rotary effect, envelopes, EQ and reverb.
Beautifully worn and naturally warped, Lost Piano is designed to create a mood and inspire the way you play. Instant cinema. It’s not a synthesiser but neither is it really a piano anymore. It’s the somewhere in-between that you won’t have been before. Created for experimentation. Created to push the limits on what you thought a piano could sound like. Made from 32 sets of piano sounds that have been time-stretched and transformed through reel-to-reel, cassette tapes, guitar pedals and some unconventional plugin chains. It also features our new custom Memories engine which generates an intelligent pattern of rhythmic sounds. More character and complexity than an arpeggiator. More curious and unconventional than a delay. This is for the composers, creators and music makers that value the way a sound makes you feel. It’s time to get lost…
Veiled Ashes is a dual sample player for Kontakt 6 with a focus on creating evolving atmospheres and modulation. Use the custom MODULATION ENGINE and MATRIX to modulate up to 25 targets with 9×2 modulators and bring a sense of life and movement to any sample.
This instrument captures the rich, muddy and fuzzed out flavor of late 50s jazz, blues and big band piano, offering an expertly sound-designed piano library with a wide selection of custom FX and atmospheric ambiences that evoke the zeitgeist of the times. Welcome to the Delphi Piano series, volume 1: Autumn 1958. This instrument captures the rich, muddy and fuzzed out flavor of late 50s jazz, blues and big band piano. However, it’s equally at home in arrangements for electronica, lofi, hip hop, ambient, postminimalism, contemporary classical and post rock. The Delphi Piano series explores the nuanced characteristics and distinctive styles of different musical eras of the 20th century. Each self-contained volume explores deep aesthetic impressions around its namesake theme, offering a expertly crafted sound-designed piano library with a wide selection of custom presets and atmospheric ambiences that evoke the zeitgeist of the times. We begin with a quintessential sound and then explore it deeply with a range of different stylistic motifs to take you on a textural journey into pure musical feeling.
Spring reverb tanks have helped add a shimmery wash of shiny metallic ambience to electric and electronic sounds ever since someone had the genius idea of bolting a little tin spring inside a guitar amp and running the signal through it. Since that day, spring reverbs haven’t really evolved all that much – the biggest development in sophistication seems to have been, ‘Add more springs!’ – and their unnatural sound, slightly harsh overtones and tendency to go SPOING-OING-oing-oing-oing-oing when accidentally bumped soon made them the poor man’s choice when compared to plate reverbs, echo chambers and, eventually, digital machines from the likes of Lexicon.
The Harpsichord, a keyboard sensation from the 16th to mid 18th century, once ruled European music. This versatile instrument was a star in both Renaissance and Baroque compositions, shining both as an accompanist and a soloist. We captured the piano and forte registers, glisses, slides, percussive impacts, plucks, scrapes and taps. The Harpsichord, a keyboard sensation from the 16th to mid 18th century, once ruled European music. This versatile instrument was a star in both Renaissance and Baroque compositions, shining both as an accompanist and a soloist. Distinctive in design, harpsichords typically boasted two or more sets of strings, each producing unique tones. The sound was amplified by a soundboard beneath the strings, which transmitted vibrations through a bridge. The strings were plucked with quills rather than struck with hammers, so a key could only produce one velocity.
