ENSONiQ VFX-SD Set WAV

P2P |June 2014 | 216.85 MB

Synthesizer Ensoniq VFX was originally released as a synthesizer performing type in 1989. Shortly thereafter, followed by release of the model VFX-SD, including some updated waveforms (drum waves), a 24-track sequencer and floppy drive. Both models are equipped with a processor Ensoniq Signal Processing (ESP), allowing the 24-bit processing spectacular. VFX-SD also included two AUX outputs that are included in the total four outputs – for greater management flexibility. The initial model was a 21-note polyphony, and in the latest VFX-SD (I / II) and SD-1 – with 32 votes. was a lot of features that made this line synthesizer to be popular. Some of them are: Sound synthesizer directly. features live performance. Multilateralism program sequencer (VFX-SD’s).

Echoes In Space Sound Library FLAC

P2P | 18-06-2014 | 3,91 GB

This massive sound library features 100’s of custom sounds produced at Echospace, processed and mastered through an extensive chain of analog and custom made equipment including but not limited to compressors, ring mod’s, filters, delays, reverbs and waveshaping devices. The library was made using primarily analog synthesizers, modular synthesizers and sequencers with gear dating back to the 1960’s, 70’s and 80’s. There’s a vast array of powerful and comprehensive sounds processed and treated with careful attention to detail, outlining over 2 years of extensive work. The library includes: Atmospheres, Drones, Effects, Field Recordings, Modulations, Pads and custom sequences all arranged in folders and separated by tempo. The perfect sound tool for never-ending and limitless production possibilities in nearly any genre.

Tea Towel Drums 2.0 KONTAKT UPDATE

TEAM VON.G | 2014-06-14 | 4.98 MB + v1 2.25 GB

In the late 60′s and early 70′s, The Beatles tried to innovate the sound of drums covering the heads of the snare and toms with tea towels to damp the sound. This technique became very popular but has lost over the years. It has 6 repetitions (round robin) and 6 velocities, but the most important is that on every mic you have the real and natural bleeding of the other parts of the drum. You can hear exactly what is recorded in a real studio situation. Is like having recorded the drum yourself! Control volume, pan and tune of each mic right in the GUI. It’s exciting to play and hear it!

Antares Filter v1.01 VST DXi WiN

Team H2O | 12-16-03 | 6.51 MB

Quad Rhithmic Multimode Filters

Please Note: Filter has been discontinued. The Mac OS X versions of Filter will not be updated for compatibility with Intel Macs, nor will the PC versions be updated for Vista. It remains available for download by current owners who are still running compatible systems, but please note that we do not offer technical support relative to its use in unsupported operating systems.Here is a basic introduction to the individual modules that make up Filter.Filter can be instantiated in mono->mono, mono->stereo and stereo->stereo versions. The Input Meters change to reflect your choice. In the stereo->stereo version, the filters are true stereo filters. The input channels are NOT summed prior to being processed.

Trap Adventures ACiD WAV AiFF

Team AUDIOSTRiKE | 09 June 2014 | 349 MB

‘Trap Adventures’ brings you five epic Construction Kits specifically designed for producers of the hottest style of music right now. This blend of Trap, RnB, Pop and Hip Hop creates a contemporary and versatile sound. This pack perfectly captures this unique style, employing real hardware for a deep and complex sound. Trap is blazing up the airwaves and clubs, influencing many other styles such as R&B, Pop and many other.  ‘Trap Adventures’  Five Construction Kits, 78 loops, and 566 MB of multi-format material; all of this is delivered to you at the highest quality. Royalty Free: All loops & samples in this library are licensed to you ‘Royalty-Free’.

OldSkool Soundset For Zebra 2

P2P | 06.08.2014 | 2.7 MB

Files: 45: Zebra Oldskool Soundset comes with 512 patches or presets if you prefer and is a walk down olds school lane in terms of various synthesis methods used the last 20 years. You will find that Subtractive, Additive, Waveshaping, Wavetable and much more was used in creating this soundset so it could be a good place to start exploring synthesis secrets.

PSP Audioware Nitro VST RTAS v1.1.2 WiN

TEAM AiR | 03/2009 | 5.68 MB

PSP Nitro is the ultimate multimode filter plug-in in VST, DirectX, RTAS format for Windows; AudioUnit, VST, RTAS format for Mac OSX Universal Binary. It offers many filter types derived from analog prototypes in addition to other useful processing blocks such as phaser, bit-crusher/downsampler, waveshaper and interpolated delay blocks. These can be connected to each other using virtually any routing scheme. The advanced control signal generators are capable of modulating most of the processing parameters, making this plug-in an essential tool for sound design and experimental purposes.

Orbital SFX Massive Presets

Team AUDIOSTRiKE | 1 June 2014 | 278 KB

‘Orbital SFX – Massive Presets’ straps gargantuan tanks of rocket fuel onto the sides of Massive in preparation for takeoff! With its nose pointed squarely at the stars, this collection of 50 handcrafted SFX presets aims to take your music to the stratosphere and far beyond.  Programme your external MIDI controllers or dial in some automation in your DAW to have instant access to core aspects of every preset, from filter resonances and cut-offs, distortion amounts, waveshaping and pan modulation to LFO types, envelope durations, wavetable positions and much, much more.

MoGi for NI REAKTOR

SYNTHiC4TE | May 28 2014 | 2.8 MB

MoGi is not a Synthesiser nor is it a Sequencer, it’s both Instrument and Instrumentalist combined, producing a uniquely creative Mystical Music Box.MoGi’s sound is generated using modelling synthesis, there are no oscillators used in a conventional manner, although there are some involved in the object generator they serve a different purpose to the norm, we have filters in abundance but again they play a different role in the process of sound creation Sound is generated by combining three separate energy forces, one in the form of WHITE NOISE, a PURE TONE and RESONANT MODE WAVES, this TRI HARMONIC SOURCE is then modified using filters, delays and feedback to form it into a resonating object, this could be a string vibrating, a wind instrument or something of a more percussive nature. Once we have a resonating object to play with we can shape it and modulate it in real time, not only can we change the way the sound evolves in a natural way, MoGi can push the harmonic structure way beyond any conventional synthesised instrument, producing a constantly evolving sequence of textures with a maximum polyphony of 18 voices, all without you having to play a single note.