The second installment coming from our partnership with Laney Amplification. Digbeth – A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound. Digbeth plugin recreates the 500 watt bass head with extreme accuracy, letting bass players who already use Digbeth access it in-the-box. It also makes it easier for newcomers to try it out, so they can experience it themselves.
KANDY is a bleeding-edge virtual beatmaker, employing extremely processed samples and state-of-the-art sound design for the top of the billboard charts. Easily create beats for the entire bandwidth of modern A-list pop music!
What are the sounds that come to your mind when you think of the 1980s? Cheesy pop music? Big synths, punchy digital drums and lots of gated reverb? Exactly. Those style elements have been re-discovered by contemporary producers and in genres like Synthwave. VICE comes with everything you need to create drum tracks for anything from authentic ’80s to Synthwave. Comes with 10 drum kits, 12 smart-mix presets and easy access to all the effects you need to make punchy digital drums with legit ’80s vibes.
You don’t need to spend hours getting the balance of your kick and snare right, changing one sample only to find you need to re-do the entire rhythm. With VOID, you can touch a single key and nail the sound you want from the get-go. It instantly syncs to your DAW’s tempo, and with only a few notes you can craft the perfect fills and breakdowns to make your fans scream with delight. With 10 separate kits, 12 smart-mix presets and easy access to the only FX you need to make hard-hitting DnB breaks, VOID is the perfect tool to glue together your dirtiest leads, smoothest pads and thumping basslines.
Do you ever play classic records and think “That. Sounds. GREAT! How do I get that 60s (or 70/80/90s) vibe in my track?” With Finisher RETRO, it’s easy. Our experts have done the hard work and captured the classic reverbs, delays, flangers, tubes, tape hiss and magic for you. Just load RETRO and go!
Finisher FLUXX, the third addition to its series of virtual multi-effects. You may call this plug-in the evil genius of creative FX. It’s designed to bring dead sounds back to life. The Finisher concept combines a handful of macro controls controlling 50 different hyper complex multi-effect chains (called Modes) under the hood. It features 4 individual macro controls per Mode, each controlling a separate sound aspect, making FLUXX an intuitive and fail-proof tool for sound designers and music producers to deconstruct, transform and animate their sounds.
Manche Dinge stehen einfach nicht zur Debatte, Plug-ins sind ’ne geile Sache! Aber kennst du schon wirklich jeden Trick? Kannst du schnell die idealen Sounds für deinen Track erstellen? Nutzt du die Vorteile von VST3 und CLAP? Sind die Vocals prominent gemischt und der Bass dank Pultec-Trick perfekt platziert? Unser umfangreiches Spezial liefert dir nicht nur unverzichtbare Sounddesign-Tipps, sondern zeigt auch, wie du Chart-Sounds für aktuelle Genres wie K-Pop, House und Bass Music baust. Und (pssst!) außerdem profitierst du von exklusiven Ratschlägen von Experten wie Hainbach, Venus Theory und Bad Snacks!
Puremagnetik has released Digital Beatboxes – a collection of four old-school digital drum machines that helped define an era in hip-hop, rock and electronica. Included in this Micropak are models of the Korg DDD1, Alesis HR-16, Kawai R-50 and the rare Soviet “Sound” drum machine.
Puremagnetik’s Technosphere is a sound design toolbox of over 100 soundscapes, transition effects and ambiances. With four categories of specific sound types, Technosphere is a resourceful grab bag of content for all types of users Produced with instant playability in mind Technosphere includes quick menus for Live, and Kontakt users.
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