Pantheon 2 Reason REFiLL

Reason REFiLL | 16 MB

Nucleus SoundLab proudly releases Pantheon II, the next in their series of ultimate Thor Refills for Reason 4. Pantheon II continues the fine lineage set by the original, with a massive new variety of intricately constructed patches ready to inspire you. Once again, these patches inner workings are revealed with refined and detailed PDF documentation. Imagine a Refill without compromise. Instead of patches consisting of a single good idea, you’ll find patches that contain several great ideas, tweaked to absolute perfection. As is now the Nucleus SoundLab standard, these patches are totally unique and fully mapped – ready to start or jump-start your new track. You won’t have a problem finding a suitable patch either – not only are all Combinators categorized intelligently across diverse categories, but all Thor patches are as well!

Drums Of War 24 bit Reason REFiLL

24 bit | Reason REFiLL | 270 MB

*Library adapted for Reason

Drums of War, a sample library for composers featuring a variety of large, cinematic drums. Drums of War has been used by composers in countless blockbuster films, television shows, and video game productions. Drums of War is a go-to library for achieving big massive percussion in your tracks. Drums of War captures the magnitude and essence of a forgotten battle fought in a forgotten place.

The Hydra Collection For Synapse Audio Hydra

Prosounds – The Hydra Collection For Synapse Audio Hydra | 54KB

Hydra is a multi-model synthesizer, designed for use in all genres of electronic music.
The oscillator routing can be switched between three radically different models, which is almost like having three different synthesizers in one – each model has it’s own distinct character and sonic capabilities.

The CM Guide to Automation

TUTORiAL | MP4 Video | 91 MB

Accelerate Your Bass Playing TUTORiAL

TUTORiAL | DVDR | SONiTUS | 3.07 GB

The DVD will help take your playing to the next level. Professor Anthony Vitti shares his proven method for improving the fundamental skills required to freely express yourself on the bass in many musical styles. The easy-to-understand exercises and demonstrations in this DVD can be applied to all levels and styles.Clear and detailed instruction is given both onscreen and in the accompanying 80-page booklet. 55 minutes.

Flamenco Guitar TUTORiAL DVDR-SONiTUS

Team SONiTUS | Vol. 1: 2.29 GB | Vol. 2: 2.15 GB

This guitar method is for everyone who is interested in the Flamenco guitar and its techniques. The logically structured method may serve as a guideline for everyone who has not found the right teacher or teaching materials yet, for everyone who plays Flamenco guitar, but still has questions about right hand techniques, and for everyone who teaches Flamenco guitar. At the same time, it is a reference book on questions about Flamenco in general. The two volumes contain all aspects I consider important to Flamenco guitar playing: instrumentology, the history of Flamenco, a description of the different styles and their complicated rhythms, and a comprehensive glossary. Notation and tablature are not explained in this book because I assume that everyone knows these facts, as well as the basic techniques of the classical guitar. The tablature includes note values because I think that even tablature readers use them to orient themselves, even if it´s not done consciously.

MAX For LiVE FX Explored TUTORiAL

SYNTHiC4TE | Nov 10 2013 | 200.67 MB

Ableton Live comes jam-packed with a ton of factory Max FX and Plugins. What do they do? How do they work and how do you use them? Find out right now in this exploratory course by Gary Hiebner… The MAX programming environment is built right in to Ableton Live. Designing your own plugins requires some pretty deep programming skills. No worries, we have some amazing courses to teach you those! However, sometimes the best way to understand how Max For Live works is to explore with plugins that already exist! That’s why this course takes you step-by-step through the factory M4L plugins. It shows you how to deploy them them into your production workflow. You learn how to operate the audio, MIDI and instrument Max plugins that are packaged with Live. We know that once you understand how they work, they’ll inspire you to think about plugins and instruments in a completely new way.

SoundToys Effects Explained TUTORiAL

SYNTHiC4TE | Nov 10 2013 | 267 MB

DEFINITELY NOT TOYS

New series of tutorials tackling the analog sounding professional effect plug-ins from SoundToys! Watch as Scottie explores the Decapitator, Devil Loc, Little Microshift, Radiator, Panman, Tremolator, FilterFreak, PhaseMistress, Crystallizer and Echoboy. They’re all here and Scottie gives you the knowledge you need to get the most out of these amazing plug-ins and more. Scottie kicks the series off with the analog saturation modeler Decapitator. From the subtle ways to use Decapitator, to dialing in a punishing effect, Scottie covers it all. Next up is the audio level destroyer Devil-Loc. Inspired by the classic Shure Level-Loc, This plug-in can burn, scorch and destroy whatever you send it, but of course it also can be used for good. Scottie demonstrates this very simple yet powerful and tasty device, its parameters and how to put it to use.

Hydlide Synthesis 2013 REFiLL

Reason REFiLL | 2 MB

This refill has been made in the period of June 2013 till August 2013. Contains about 1000 patches. All these patches are compatible with Reason 4 and upwards. The synthesis refill is based on a lot of different ideas that came to live during song creations. While most of these songs have devices scattered around through out the rack, I felt the need to make it easier to make a series of combinator patches that would spice up the rack. To make the synthesis refill more complete, some synthesizer patches are made from the ground up again by using the subtractor, malstrom or thor. The sounds are non genre specific, since some of these patches come from my own production works (ranging from Goa, to Drum and Bass to Ambient). While other patches have been made with out having it ‘genre’ specific.