Cinematic SFX MULTiFORMAT

FANTASTiC | 26 MARCH 2016 | 624 MB

Cinematic SFX’ is a diverse and multifaceted sound effects library that has been designed with versatility at its forefront. Perfect to adorn and enrich your next production, this is an extremely useful production tool for making media music, soundtrack compositions or cutting edge electronic music. This SFX sample pack includes a massive variety of expertly designed sound effects one shots, ranging from unsettling atmospherics, warped motion sounds and expansive impacts to sinister noises, grainy granular effects, mangled subs, watery sounds and alien voices. The sounds in this library are 100% Royalty Free and come as 24-Bit WAV files. Also, it comes with soft sampler instrument patches for EXS24, SFZ, Ableton Sampler, NNXT, Halion, Maschine, Kontakt and MachFive.

SPL BiG v1.0.1 U2B macOS

MORiA | 14 December 2024 | 50.8 MB

…: AU | VST | VST3 :…

The masters of analog modeling, are back with the plugin of SPL BiG. The 2024 TEC Signal Processing Award-winner, this studio stereo expander won praise from the pros for its huge sound and ingenious design. BiG is fun to use. BiG is distinct. BiG offers new imaginative avenues for sound shaping. Make your mixes sound massive with zero phase issues.

California House 🌴🌞

FANTASTiC | 17 July 2024 | 1.52 GB

California House contain five massive sounding construction kits in WAV stems and WAV Shots plus MIDI Loops. Another emotional inspired House Pack that packs both ambient mood and energy. This pack will help you produced your next House banger with some atmospheric chords, warm bass lines, groovy beats finishing with some lushing SYNTH Leads and Vocal Chops on top. Why MIDI: MIDI files are included to allow you to tweak the composition or replace any sound in the production process to fit your needs and track idea. By using the MIDI file format, you can also change the tempo, key signature or even single notes in the file to fit perfectly into your arrangement.

Sound World V.L.X

MAGNETRiXX | 23 December 2013 | KONTAKT:740 MB | WAV MiDi:1.03 GB

The pack is HUGE, packed with nearly 1.339 files, 31 Kontakt Instruments and 121 Kit Groups. These massive Construction Kits, several with multiple parts and multiple vocal options, have been expertly edited and installed into a Kontakt based player that resembles Maschine or the MPC and includes some really unique features such as incredible time-stretching, built in FX including reverb, delay, compression, high pass and low pass filters, and bit crushing. Additionally, whether in the studio or using Sound World Virtual Loop Xpansion, works flawlessly inside your DAW, Maschine, MPC, or any sampler that accepts VST instruments. You must have Kontakt 5 to use the V.L.X version.

Beat Issue 229 February 2025

PDF | ENGLiSH:61.9 MB | GERMAN:25.0 MB

(English and German Edition)

TECHNO MASTERCLASS – How To Create Hard & Hypnotic Techno. Whether melodic, hard or hypnotic – Techno regularly reinvents itself, but the essence remains: „The beat has to go on and on“. That‘s why we‘ve got the answer to all your questions about production here! From choosing the right kick to clever synth layering to the latest trends in sound design – we‘ll show you step by step how to build rumbles, create hissing hats and find catchy melodies. In other words, Techno with hit potential!

Koto Nation v2.0 KONTAKT

SYNTHiC4TE | 11 May 2017 | 3.26 GB

The deepest koto, bass koto and shamisen library ever released, featuring world-class performer Masayo Ishigure! 2 mic positions, extensive dynamics and RRs, FX patches and extensive traditional and contemporary articulations. We created Koto Nation out of a desire to see traditional Japanese instruments receive a deep, thorough sampling treatment, much like our acclaimed North Indian sample library Sitar Nation. While there are a handful of libraries which include samples of the koto and shamisen, they feature only the most basic articulations and few (if any) velocities or round robins. To our knowledge, the bass koto has never been sampled at all! Given the popularity of the shakuhachi and taiko in many Western film soundtracks, we wanted to allow film composers, hobbyist producers, ethnomusicologists, anime fans and everyone in between access to these classic instruments and complete the repertoire of traditional Japanese sounds available.

ABL3 v3.3.3.4 WiN MAC

Team R2R | 10 September 2024 | WiN: 26.1MB | MAC: 45.6MB

…: AU, VSTi, VST3, x64 :…

AudioRealism Bass Line 3 (ABL3) is the next generation of our critically acclaimed 303 emulation plug-in. ABL3 is a complete redesign from scratch and has been in development for several years with the goal of creating the most authentic emulation possible. With an intuitive and streamlined workflow we hope ABL3 will set a new benchmark in software 303 emulation.

Keemun v1.1.2 WiN

Team R2R | 10 June 2024 | 2.66GB

..:STANDALONE, VSTi, VST3, AAX, x64:..

Like having a professional bass player inside your keyboard. Keemun is an innovative musical instrument that recreates the sound of a professionally-recorded bass DI, allowing keyboard players to craft realistic and expressive bass lines all on their own. Clean, high quality Bass DI tones ready for your favorite effects Because so many of the most legendary bass lines in history have been recorded with nothing but a good DI input, Keemun gives impressively massive results right out of the box, with just a touch of EQ and other processing. But Keemun is at its best when it is REAMPED with your own favorite bass rigs and effects—whether physical or virtual—for even more unique and inspiring tones.

Nolard Spring Reverb & Tape Delay

P2P | 12 September 2024 | 1.13 GB

This great sounding spring reverb is unique among Nebula reverbs, because it includes a control which acts like a ’tilt’ EQ, tilting from ‘bassy’, through flat, to ‘trebly’. It sounds massive on the bassy side. I also provide a fade control which allows you to shorten the length of the reverb while keeping a nice smooth fade-out. These controls are both firsts in the Nebula world, and they allow you to fine-tune the sound so the reverb fits more perfectly in your mixes. I made ‘lite’ versions for use during mixing, that you can use to audition the sound and find the best combinations of settings on the controls that work well in your mix. These versions load fast and use little resources, so you should even be able to use multiple instances. The full versions sound better though, so you should switch to them for rendering, which is quick and easy to do using the buttons on the included custom skin! There’s also a version of the reverb without the fade control, and another without the EQ and fade controls. Those use even less CPU, and all are accessible from the buttons on the skin.