FinalMix v.1.01 VST x86 WiN

TEAM TALiO | 08-13-2004 | 2.7 MB

With an extensive palette of sonic tools, including 3-band dynamics processing, 6-band (pre and post) parametric EQs, adjustable cross over points and individual band key filtering, Final Mix lets you zero in on exact frequencies to adjust or emphasize crucial elements of your mix. Final Mix employs three individual dynamics processors (low, mid and high) with noise gating and soft clip limiting to provide ultra smooth compression or expansion. Each dynamics band features individual threshold, attack and release times. A graphical contour edit screen for each band allows you to easily set a desired ratio and to create your own hard knee or soft knee, or even draw in an expander curve. Each dynamics band features its own key filter that allows you to emphasize or de-emphasize a portion of the signal within the band. The Soft Clip feature adds a smooth, analog-style clip response when your signal gets close to overload. Other features such as Noise Gate, Band Linking and more ensure that Final Mix will be an integral part of your mixes from here out.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

Drum Styles MULTiFORMAT

Team DYNAMiCS | Apr 15, 2011 | 870 MB

…::: WAV, ACID, REX :::…

DRUM STYLES – an exciting and flexible new range of Acoustic Drum Loops & Single Hits in many specific popular musical styles, performed by one of Holland’s greatest drummers, highly praised for his timing, sound, interpretation, versatility in styles and – most importantly – fun in playing.

MetaPlugin 3 v3.9.71 MAC

SPTNDC | October 24 2021 | 40.5 MB

PLATFORM: MAC32/64 – AU/VST/VST3

Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks with this plugin wrapper using any VST/VST3 (and AU, if you’re on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix, a fourband crossover filter and a routing plugin are included in the package. This means instant cross-track routing, mid-side, multiband compression/distortion/reverb/… you name it. Of course that’s only the beginning… let your imagination run free, nothing is impossible, from creating your own layered synth sounds to building whole sound generators from scratch using simple modules.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

358 Enhancer MkII v1.0.2 WiN

Team RET | 28 August 2021 | 11.72 MB

358 Enhancer MKII is the second generation of single-stage, ‘straight-path’ audio enhancer process, allowing control of the Low, Mid-Low, Mid-High and High frequency balance on the master, as well as on individual tracks. A single-stage, ‘straight-path’ audio enhancer process, allowing control of the Low, Mid-Low, Mid-High and High frequency balance on the master or individual tracks…

Octavlord v1.0.1 WiN MAC

Team DECiBEL | 19 Nov 2019 | 29.0 MB

…::: VST, AU, x64 :::…

Octavlord | Octave Conjuring Machine

Taking cues from a legacy of famous guitar pedals, Octavlord has been designed to generate three variable octaves from input sources. It simultaneously reproduces sub, minus one and plus one octaves, embellishes with fluttery modulations and conjures voices previously unheard in the source material. Octavlord can work his magic with subliminal bass pulsations or with extreme, multi-octave sonic aberrations.

Kombinat Tri v3.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 17.1 MB

AU/VST/VST3/AAX/x86/x64

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.

Middle Eastern Cinema

DiSCOVER | 12 SEPTEMBER 2021 | 2.91GB

‘Middle Eastern Cinema’ is a 1GB collection of five enigmatic construction kits focused on the ‘Hollywood’ style of Middle-Eastern themes film music. It includes processed Kemanche, Oud, Ney, Setar and Taar recordings. All content was recorded and produced by Iranian producer, Ehsan Hesaraki. Inspired by movies such as the 2019 ‘Aladdin’, this supreme collection contains over 1GB of content, designed specifically for this crossover style which blends authentic Middle-Eastern sounds with the modern cinematic sound of Hollywood.