Pana v1.0.0 WiN MAC

Team R2R | 31 December 2021 | 36.9MB

.: AU | VST2 | x64/64Bit | VST3:.

Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.

Pana v1.0.0 WiN MAC

TEAM V.R | 15 December 2021 | 28 MB

.: AU | VST | VST3:.

Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.

Pana v1.0.0 macOS

MORiA | 15 December 2021 | 15.3 MB

.: AU | VST | VST3:.

Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.

FinalMix v.1.01 VST x86 WiN

TEAM TALiO | 08-13-2004 | 2.7 MB

With an extensive palette of sonic tools, including 3-band dynamics processing, 6-band (pre and post) parametric EQs, adjustable cross over points and individual band key filtering, Final Mix lets you zero in on exact frequencies to adjust or emphasize crucial elements of your mix. Final Mix employs three individual dynamics processors (low, mid and high) with noise gating and soft clip limiting to provide ultra smooth compression or expansion. Each dynamics band features individual threshold, attack and release times. A graphical contour edit screen for each band allows you to easily set a desired ratio and to create your own hard knee or soft knee, or even draw in an expander curve. Each dynamics band features its own key filter that allows you to emphasize or de-emphasize a portion of the signal within the band. The Soft Clip feature adds a smooth, analog-style clip response when your signal gets close to overload. Other features such as Noise Gate, Band Linking and more ensure that Final Mix will be an integral part of your mixes from here out.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

Drum Styles MULTiFORMAT

Team DYNAMiCS | Apr 15, 2011 | 870 MB

…::: WAV, ACID, REX :::…

DRUM STYLES – an exciting and flexible new range of Acoustic Drum Loops & Single Hits in many specific popular musical styles, performed by one of Holland’s greatest drummers, highly praised for his timing, sound, interpretation, versatility in styles and – most importantly – fun in playing.

MetaPlugin 3 v3.9.71 MAC

SPTNDC | October 24 2021 | 40.5 MB

PLATFORM: MAC32/64 – AU/VST/VST3

Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks with this plugin wrapper using any VST/VST3 (and AU, if you’re on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix, a fourband crossover filter and a routing plugin are included in the package. This means instant cross-track routing, mid-side, multiband compression/distortion/reverb/… you name it. Of course that’s only the beginning… let your imagination run free, nothing is impossible, from creating your own layered synth sounds to building whole sound generators from scratch using simple modules.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

358 Enhancer MkII v1.0.2 WiN

Team RET | 28 August 2021 | 11.72 MB

358 Enhancer MKII is the second generation of single-stage, ‘straight-path’ audio enhancer process, allowing control of the Low, Mid-Low, Mid-High and High frequency balance on the master, as well as on individual tracks. A single-stage, ‘straight-path’ audio enhancer process, allowing control of the Low, Mid-Low, Mid-High and High frequency balance on the master or individual tracks…