How to Design Speaker Crossovers

P2P | 11 April 2021 | 3.98 GB

.: Loudspeaker Engineering :.

Learn how to design a passive crossover network. Five examples of crossovers (2-way, 3-way) in different enclosures. Design you own speaker crossover This course is the last piece in the loudspeaker design process. You will learn how to use the FRD and ZMA files (check Acoustics 201 course) to design 2-way and 3-way crossovers. These designs will be done in XSim which is a free application. Crossover design, while it does have some general guidelines, it’s unique for every crossover. For this reason, 5 different types of enclosures have been built for this course : two 2-way bass reflex bookshelf speakers, a 3-way bass reflex, a sealed MTM and a 3-way bass reflex floorstanding speaker with dual woofers. This way you will get a better understanding on how the process works. It takes not only knowledge, but also intuition and experience when designing a crossover.

DLYM v2.2.0 WiN

Team R2R | 14 October 2025 | 28.4MB

DLYM delivers the warmth and sweetness of vintage chorus and flanger effects. DLYM is a powerful audio effect designed to deliver rich chorus and flanger effects with advanced processing technology. Inspired by the classic chorus of the DRC synth, DLYM elevates this signature sound, bringing it to all compatible hosts. Transform any mono sound into immersive stereo, adding subtle depth or creating bold, transformative effects. With 40 presets to ignite your creativity, you’ll be shaping unique sounds in no time. DLYM’s intuitive interface features large, precision knobs for effortless, fine-tuned control, designed to enhance workflow with a focus on simplicity and functionality.

Tish v1.0.0 WiN MAC

TeamViP | 07 December 2025 | 5.51GB

…: Concert Vibraphone :…

This is a rare instrument that spent decades in a European opera house, filling grand halls with its voice. We brought it to our studio and recorded it in an intimate setting with a remarkable musician. Despite its history, it speaks in a quiet, introspective tone — just the way we love it.

Analog Mastering Tools macOS

TEAM HCiSO | 09 November 2025 | 551.87 MB

The Analog Mastering Tools (AMT) include three processors that sets a new standard for mixing and mastering your music with a subtlety and musical character reminiscent of tube systems.

Hype v1.5.0 WiN

BUBBiX | 22 November 2024 | 53 MB

HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.

Analog Mastering Tools WiN

Team R2R | 05 November 2025 | 43 MB

x64: AAX, VST3, VST2

The Analog Mastering Tools (AMT) include three processors that sets a new standard for mixing and mastering your music with a subtlety and musical character reminiscent of tube systems.

DESTiNY Production Suite

GTA | 04 November 2025 | 8.33 GB

DESTINY Explore 20GB of Timeless Samples Inspired by 10+ Unique Genres of Sound…

Groove Agent 5 v5.2.30 WiN

TEAM R2R | 31 October 2025 | 144.3 MB | CONTENT: 26.66 GB

STANDALONE, VSTi, VST3, AAX, x64

Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW. A new standard of dynamic acoustic drums; new kits for electronic music; new MIDI grooves; live sampling; Decompose feature for your own signature drum sound; 32 velocity layers; updated and resizable user interface… plus much more!

splitS v1.1.2r1 WiN

SEnki | 30 October 2025 | 4.7 MB

While de-essers and dynamic EQs can be very useful, they are rarely sufficient for effectively managing sibilance in vocal recordings. Producers and engineers alike commonly find themselves spending long hours manually editing these problematic sounds. While often unavoidable, this method is very time-consuming and diverts attention from what really matters. splitS is here to give you your time back! splitS is not a de-esser, but rather a straightforward mixer that allows you to balance sibilances, and separate a vocal track between sibilance and non-sibilance in a split of a second. The signal is left absolutely intact if no volume change is applied, as the cut between sibilance and non-sibilance is made on the full range signal. No compression, no EQ, no crossover. Since v1.1, the S-Range feature can detect the peak level of each S event, letting you set a maximum volume — or exclude soft events from the S channel.