DESTiNY Production Suite
GTA | 04 November 2025 | 8.33 GB
DESTINY Explore 20GB of Timeless Samples Inspired by 10+ Unique Genres of Sound…
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DESTINY Explore 20GB of Timeless Samples Inspired by 10+ Unique Genres of Sound…
Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW. A new standard of dynamic acoustic drums; new kits for electronic music; new MIDI grooves; live sampling; Decompose feature for your own signature drum sound; 32 velocity layers; updated and resizable user interface… plus much more!
While de-essers and dynamic EQs can be very useful, they are rarely sufficient for effectively managing sibilance in vocal recordings. Producers and engineers alike commonly find themselves spending long hours manually editing these problematic sounds. While often unavoidable, this method is very time-consuming and diverts attention from what really matters. splitS is here to give you your time back! splitS is not a de-esser, but rather a straightforward mixer that allows you to balance sibilances, and separate a vocal track between sibilance and non-sibilance in a split of a second. The signal is left absolutely intact if no volume change is applied, as the cut between sibilance and non-sibilance is made on the full range signal. No compression, no EQ, no crossover. Since v1.1, the S-Range feature can detect the peak level of each S event, letting you set a maximum volume — or exclude soft events from the S channel.
Get the sound of the greatest British-made VCA compressors of the 1980s, the warmth, punch and cohesion of analog glue compression with all the power and control of a modern feature set with multiband capabilities. For the pros in search of the perfect mixing glue and amateurs, whose mix never quite gels, this is the definitive VCA glue compressor. bx_glue brings it all together.
Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW. A new standard of dynamic acoustic drums; new kits for electronic music; new MIDI grooves; live sampling; Decompose feature for your own signature drum sound; 32 velocity layers; updated and resizable user interface… plus much more!
Audiolense is a state of the art solution for digital crossovers, frequency correction and true time domain correction. The frequency correction is included in all version. This alone is enough to improve the sound quality in the finest audio systems. Our 2.0 offering is in our opinion one of the best bargains in high end hi-fi. The surround version provides frequency correction for all speakers in a surround setup, proper time alignment and a sophisticated crossover solution for seamless bass management. Our high end offering – the Audiolense XO – comes with True Time Domain (TTD). The TTD correction fully synchronizes the first arrival for all frequencies and all speakers involved. Audiolense XO also comes with a very sophisticated and configurable crossover solution that covers all bases.
The bx_XL V2 provides mastering engineers the ability to deliver loud mixes, without squashing the life out of them. Using the M/S technology from BWX’s revolutionary bx_digital EQ, you can split the Mid channel into two bands (high and low), allowing you to control the level of three individual channels—side, mid-high, and mid-low—to increase loudness while drastically improving the clarity of your mixes, with far fewer artifacts and much more punch.
The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.
Ceilings Of Sound Pro is our first Hyper-EQ and a truly unique equalizer, designed to streamline your editing and capture detail & presence in your mix. It is also the first equalizer to incorporate the spectrum of noise as equalization “knobs”. We are certain that once you begin using Ceilings Of Sound Pro you’ll quickly discover why it’s called a Hyper-EQ. Ceilings Of Sound Pro is optimized for multiple instances during projects with large track-counts and its controls are intuitive, allowing you to quickly adjust crossover & slope parameters or type in values.
MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several
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