KORG M1 v2.4.1 WiN MAC

Team R2R | 24 July 2023 | WiN: 74.5 MB | MAC: 79.6 MB

PLATFORM : WiN-MAC/64 – AU/STANDALONE/VSTi

Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds.  As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.

Gorilla v1.2.0 WiN

Team TCD | 17 August 2024 | 9.7MB

Different monsters for different genres: the Gorilla plugin includes 3 preamps and the simulation of 3 studio standard bass amps.

Gorilla v1.2.0 WiN

Team BUBBiX | 16 January 2024 | 9.7MB

Different monsters for different genres: the Gorilla plugin includes 3 preamps and the simulation of 3 studio standard bass amps.

Mark Studio 2 v2.0.21 WiN

TCD | 17 July 2024 | 38.26 MB

BRING THE MARKBASS TONE INTO YOUR COMPUTER

Mark Studio 2 is an emulation of the best Markbass amplifiers and cabinets, which includes: • 6 Markbass heads • 9 Markbass cabinets • and a rich pedalboard to complete your rig and unleash your creativity.

Note EQ v2.0.3 WiN

Team R2R | 15 June 2024 | 3.2MB

NoteEQ is an EQ/Limiter pre-tuned to note centers.

More than a decade ago, I made a version of this in WDL (thanks Rob!) to deal with the problem of “one note bass” and dealing with overly loud or overly dead bass notes across the bass fret-board. My mastering engineer ended up using it for far more things, and I have been meaning to update it ever since. In this version, you actually have a limiter per band. In earlier versions, just EQ-ing a hole sometimes caused more problems than it fixed, but now, with the limiter, you can get a hold of the mix when its making trouble and leave it alone when it isn’t! Click “E” (for Enable, were still deciding on the name) in order to enable a band (they are off by default) and “D” in an enabled band to turn on the limiter. Switch octaves with the +/- buttons under the spectrum. Note that the octaves are shown in the spectrum display so you don’t have to do the math.

TEOTE v1.15 MAC

MORiA | 14 August 2024 | 18.7MB

Mastering Balancer Plugin

TEOTE is an automatic spectral balancer plugin for professional music production applications. It was designed to be a very useful tool for both mixing and mastering. It automatically performs such tasks like gentle resonances taming, de-essing, tilt equalizing, usually performed during mixing and mastering. In mixing, TEOTE sounds good on pretty much any material. While by definition TEOTE is a dynamic equalizer, its technology is solely based on multi-band dynamics processing. This allows TEOTE to have only minor phase issues, and to produce a subtle transient-emphasis effect associated with dynamics processing. TEOTE tries to make the program material follow the specified spectral profile, tuned to the contemporary mastering standards by default. It can be said that TEOTE “straightens” the frequency response, making further adjustments a lot easier; it removes a lot of repeating work. Is TEOTE an AI plugin? In a sense that AI usually boils down to a “curve-fitting task”, TEOTE is an AI plugin that performs gain adjustment decisions in a quantity equal to “SampleRate multiplied by BandCount” per second. However, TEOTE does not use neural networks; it is based on an extremely-refined, completely predictable, curve-fitting function.

Pro-Q 2 v2.2.5 WiN

Team R2R | 04 November 2023 | 4.34 MB

FFT has announced availability of FFT Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features such as Full Screen mode, unique Natural Phase processing, Auto Gain, Spectrum Grab, Gain-Q interaction and slope support for all filter types make Pro-Q 2 better than its predecessor in every way, while staying true to the original vision of combining high sound quality with unsurpassed interface workflow.

Pro-L v1.3.2 WiN

Team R2R | 04 November 2023 | 3.69 MB

FFT Pro-L offers four advanced limiting algorithms, all with their own distinct character. Some are designed to be as transparent as possible, while others may add a nice punch or flavor to your music. Together with the adjustable look-ahead, attack, release and unique separate channel link settings for both transients and release, the limiter can be fine-tuned to achieve both maximum loudness and the highest possible transparency at the same time. With its informative real-time display and meters, the clutter-free interface makes working with FFT Pro-L a breeze. Different meter scales, including the three K-System scales (K-12, K-14 and K-20), will help you to get precise control over your levels. Of course, you can easily disable all metering if you want to judge the sound by ear only.

Elephant v5.5 MAC

MORiA| 14 August 2024 | 18.8 MB

Elephant is a mastering limiter plug-in for professional music production applications. The most remarkable feature of this signal limiter is its ultimate transparency. Elephant brings sound limiting and loudness maximization without any audible “pumping” effects. Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools. Elephant’s built-in linear-phase oversampling is a new standard in quality peak limiting and loudness maximization. Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate. Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark.