Ample Guitar VC aim to bring a Gibson SG Vintage 61 electric guitar sound to your studio, It is suited for 70 – 80’s vintage rock’n roll.
One of most famous and beloved plugins with updated features for better usability in 2024, including a black user interface for those who prefer a sleeker look or higher optical contrast. Finally, the go-to EQ for producers of the world’s top vocalists, including Celine Dion Justin Timberlake and Snoop Dogg, is as convenient to use as it is beautiful to hear. You’ve heard the EQ4 on the vocals of major artists including Madonna and Black Eyed Peas. It’s a favorite of top engineers like Dave Pensado, David Reitzas, Dylan Dresdow and more.
It is an easy to use, high quality virtual analogue synthesizer, with many powerful and unique features for its small size. Fat Machine posseses the capability to realise a remarkably agressive or crystal clear sound, you decide! Fat Machine is the perfect synth for nasty leads and huge warm basses, or trancy arpeggios with a constantly evolving sound. And dont miss its incredible fat analogue kicks and percussions. Careful attention has been paid to choose its functions for the utmost musical quality, ensuring easy editing and high creativity. Fat Machine is a superb MIDI performance synth with modwheel, aftertouch, pitchbend and several velocity mod destinations for its three flexible envelopes. Based on the previously released Astrolead synth which shared some of the sound shaping characteristics of the Astrobelt Pad Machine synthesizer, it has been revamped to include a thorough filter redesign, as well as improving and adding many other features. It’s Random Soundbank Generator can create an endless supply of new and inspirational sounds with just a click of the mouse.
GateMate is an innovative approach to a noise gate. A pair of plugins (Pre and Post) makes it possible to clean up the sound like never before. The Noise Gate That Gets It Right Noise gates are supposed to solve a simple problem, not create new ones or feel like a compromise. We wanted better. We spent months perfecting a noise gate that doesn’t choke your tone, responds naturally to your playing, and handles all the dirt and dynamics. The result? A gate that just works. No gimmicks—just performance you can rely on. GateMate’s main role is to provide a complete noise cancellation solution. To do this, you will find two GateMate Pre and GateMate Post modules. One is placed upstream of your favorite amp and baffle simulator, and the second is placed after. GateMate Pre cleans the incoming DI signal, and collects the data necessary for the proper functioning of GateMate Post, which refines the latest finishes.
Broomstick Bass – the best virtual bass player for VST-compatible applications. The program was developed Bornemark Software, the authors of the idea of Groove Agent and Virtual Guitarist. Broomstick Bass – samoigrayuschy new musical instrument that can be used to avtoakkompanimenta, to help composers and arrangers, as well as a library of bass sounds of exceptional quality. For the game enough to take a few chords on the keyboard, and the program will build on the specified harmonic on the bass riffs and sequences. In addition to the large number of ready-made patterns, the program can be used for independent game with the keyboard.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
ST-R-I-P is a analog inspired channel strip for OS X/VST/AU and Windows/VST/64/32. ST-R-I-P features subtle saturation and noise to emulate the behavior of analog mixing desks. It’s intended use is with pure in the box music to give it some texture and depth while having traditional sound shaping features like compression and equalizing at your fingertips. Get traditional, get ST-R-I-P
The overtone exciter. Highlight natural sound presence and add harmonics produced by overfeeding. Take control of the fundamental frequency of the voice or instrument. The natural overtone exciter that really makes the difference. The first process extracts the smallest sound objects, which characterize the sound itself, and then adds them together to create natural harmonics. The Presence setting controls the amount of harmonics that are generated. The second process uses a traditional psychoacoustic method to create harmonics from the overfeed, with a selectable frequency band that is applied to our Presence algorithm. The resultant plugin is not only suitable for vocals, but is also adaptable to almost any instrument, bringing new nuances and richness to your mix.
Overview Mäag EQ4 M is a 6-band dual channel mastering EQ that counts Chris Lord-Alge (Greenday, Madonna, U2) and Tony Visconti (David Bowie, T. Rex, Esperanza Spalding) among its many fans. Now Brainworx, the masters of analog modeling, have finally transformed this renowned hardware into the Mäag EQ MS plugin.
With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”
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