Unleash the full potential of your audio recordings with the THR Compactor, a versatile and user-friendly audio compressor plug-in designed to enhance your music production experience no matter if you’re a complete beginner or a seasoned pro!
REVERB CLASSICS deliver the lush, dynamic sound of two of the most coveted reverb units in history – powerful additions to any production toolbox.
Craft the perfect listening experience with the ultimate collection of mastering tools. Whether you’re putting the finishing touches on the next chart-topping hit or producing your first song, Ozone 11 delivers cutting-edge processing and AI-powered workflows. Effortlessly make your tracks release-ready and unlock the full potential of your productions.
Amplosion is a guitar amp simulator, designed to be as responsive and easy-to-use as a real tube amp.
Bring your production to the next level with the state-of-the-art spatializer. Experience total control, whether mixing in multi-channel speaker formats up to 7.1.4 and 9.1.6, binaural, or Ambisonics. Being inserted in the audio track, dearVR PRO 2’s ultra-precise early reflection and reverb engine adds another layer of spatial experience, leading to true-to-life sounding productions with natural depth that puts you in the center of the sound.
The ultimate clipping solution – ease of use meets uncompromised sound quality. Create competitively loud masters and maintain clarity. The bx_clipper truncates the peaks of waveforms above a set threshold level (Ceiling). It allows you to create mixes that playback louder without increasing their peak level. Unlike a limiter, bx_clipper increases loudness while avoiding squashed pumping effects.
Our D2O returns as an audio plugin. We went all out and used AI to capture the soul and nuances of the original D2O. The plugin offers everything from warmth to full blown saturation. A versatile tool for all sources that surpasses the original hardware limitations. In 2012, we unveiled the D2O Microphone Preamp. With its unique blend of solid-state electronics and subminiature tubes, the D2O offered a versatile sonic palette that appealed to musicians and engineers. Availability of parts and manufacturing costs became an issue, so we stopped producing the D2O after a decade. Today our D2O preamp returns as an audio plugin. This isn’t just another plugin. We’ve harnessed neural networks with artificial intelligence to capture the soul and nuances of the D2O, marking a departure from traditional circuit modelling. Our approach offers a rich, authentic sound, supplemented with modern features such as tilt EQ, high-pass filter (HPF), and mix control—enhancements the original hardware couldn’t offer.
If you are a producer, composer or beat maker trying to get that very sought after rich fat deep bass latin salsa sound, you are in for a surprise. This is a Virtual instrument that has been long overdue, finally bring to life: Baby Bass Virtual Instrument, based on the sound of the legendary Electric Upright basses like the Ampeg Baby Bass and other top brand baby basses. This sample based virtual instrument contains 15 patches of several types of Baby Bass Sounds, Recorded through Universal Audio pre amps and eq’d by a Neve 1081 Class A Original Racked Channel Strip to get the most punch and guts.
Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.
Different monsters for different genres: the Gorilla plugin includes 3 preamps and the simulation of 3 studio standard bass amps.
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