High quality audio effect and processor plug-ins. Our products garner rave reviews and endorsements from every corner of the music production, engineering, composition, and post-production worlds. Our plug-ins have become staples in professional and home studios worldwide. Our credo explains our simple philosophy: It’s The Sound That Counts!
Introducing Peavey ReValver® 4: Redesigned from the ground up, ReValver 4 — the latest version of Peavey’s award-winning ReValver modeling software — contains revolutionary amp modeling capabilities that capture the true characteristics of real tube amplifiers. Running Stand Alone or as an AAX/VST or AU plug-in on Mac or PC, ReValver is renowned for its industry-leading amp modeling accuracy which is achieved by modeling an amplifier down to the component level. Now Peavey has updated and improved the modeling engine in ReValver 4, taking amp modeling to a whole new level of realistic tone-shaping possibilities. ReValver 4 also incorporates a GUI and UX redesign and the ability to run on a Windows® tablet, plus other high-level features including GIG mode, ACT™ (Audio Cloning Technology) and RIR 2 cabinet modeling.
A collection in a class all its own. Ripe from the urban airways easy flowin multi-style Reggaeton charged hiphop sounds so rich and true you won’t believe your ears. 40 Construction Kits with root accents from soca, samba, bossa, party, jamaica, island, toots, miami, gangsta all-star, club and others fused with the newest techniques. Scorching tracks ready to get the scene jumping.
ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s.
DUNE 2 provides a yet higher sound quality and allows for an even wider range of sounds than Dune 1. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions. Our most popular synth DUNE is back – and better than ever! DUNE 2 was rewritten from scratch, in order to provide a yet higher sound quality and allow for an even wider range of sounds. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions. With a maximum reserve of 8320 oscillators at full polyphony, DUNE 2 is a true unison monster, unlikely to ever run out of oscillators. DUNE 2 is available as 32-/64-bit VST/AU plugin for Windows and Mac OS X.
SAM is a software clone of the famous Oberheim™ SEM synthesizer module. SAMse Beat Edition was exclusive made for Beat Magazine Falkemedia e.K. Verlag.
Every column corresponds to one step, each line represents a note. Just click the buttons to enable the notes to be played. The orange line runs thru while playing. Select the number of steps to play (2-16), the speed in relation to the host clock, the direction (forward, backward, random etc.). Blip2000 outputs MIDI notes, so you can use your favourite synth (-plugin) as the sound source. MIDI channel, note length and velocity can be set. With the fields on the left side you can adjust any scale to be played – or use Blip2000 as a drum sequencer!.
Well, lets start with what Magic Vox is not: it is not a guitar emulator, and it is not intended to replace real guitars on your tracks. Instead, Magic Vox uses the beautiful sonic qualities of guitar harmonics (Flageolets), as a basis for the creation of a totally new playable and expressive musical instrument, with a distinctive mesmerizing sound!
All you have to do is to open Vinyl Boy as an insert effect on the track that you want to scratch, and use your modulation wheel for the “authentic feeling and touch of vinyl scratching”.
White Crow offers 8 basic waveforms: saw, square, pulse, double-sine, saw-pulse, reso1, reso2 and reso3. A second set of (identical) waveforms can be added to create new unusual waveforms. Each of the two PD oscillators is made of 5 sub-oscillators that can be detuned for the creation of fat rich sounds. The phase distortion amount of each oscillator can be modulated by 2 ADSR envelopes, an LFO, and velocity. This will affect the sound timbre over time instead of the regular filter modulations. A lowpass filter can also be used as an additional sound shaping tool.
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