XX-Drum-Modules VSTi WiN
FREE | 27.06.2005 | 6.71 MB
4 Very good VST 32 Bit Drum Modules. GUI works by Acquit Music. (c)2005.
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4 Very good VST 32 Bit Drum Modules. GUI works by Acquit Music. (c)2005.
Backmask is a chaotic reverser plugin inspired by a nostalgia for the sunny days of demon cult hysteria. Back when shadows were lurking around every corner, under every object, infecting the precious youth with subliminal brainwashing signals. Simpler times. Backmask uses government approved paradox processing technologies to expose these hidden terrors of music. Uncover the plots of ghosts, aliens and other rogue entities with Freakshow Industries Backmask.
The Natura – Analog Sampled VST will help you get the Analog Sounds you’re looking for! Natura is an Analog Sampled Instrument. We sampled multiple Analog Synths to create 50 Unique Patches + 10 Shape Patches. You can load any of these patches into 1 of 4 Sampler Engines allowing you to stack and play 4 samples at once. This gives us 4 totally different Tones. We then blend the 4 Tones together to bring you some Unique Analog Combinations! With Natura’s light & easy-to-use interface, you will have no problems finding a preset or creating your own sounds altogether. With streamlining your productions in mind, we kept everything, well, simple! Minimal FX allows you to use the FX you’re already familiar with (let’s face it, we all do anyway), quickly have full control over each Banjo & easily browse presets!
The Mandolele – Mandolin & Ukulele VST will help you get the ethnic feel you’re looking for! Mandolele is a Sampled Mandolin & Ukulele Instrument containing 1 Mandolin & 1 Ukulele. Each Instrument was recorded twice, once with a Guitar Pick & once with just a Finger. This gives us 4 totally different Tones. We then blend the 4 Mandolin & Ukulele Tones together to bring you some Unique Combinations! With Mandolele’s light & easy-to-use interface, you will have no problems finding a preset or creating your own sounds altogether. With streamlining your productions in mind, we kept everything, well, simple! Minimal FX allows you to use the FX you’re already familiar with (let’s face it, we all do anyway), quickly have full control over each Banjo & easily browse presets!
The Quoir – Mixed Vocals Instrument VST will help you get the vocal & choir sounds you’re looking for! Quoir is a Sampled Vocal Instrument with added Waveform Generator. We recorded and sampled 25 different Vocalists (15 Women & 10 Men). Containing 4 total Sampler Engines, you can blend 4 different Vocals at a time. By blending these 4 Vocals together, we bring you some Unique Choir Combinations! Slap on the Waveform Generator for some added artifacts and you have some crazy choirs & textures! With Quoir’s light & easy-to-use interface, you will have no problems finding a preset or creating your own sounds altogether. With streamlining your productions in mind, we kept everything, well, simple! Minimal FX allows you to use the FX you’re already familiar with (let’s face it, we all do anyway), quickly have full control over each Flute & easily browse presets!
What’s EVE? EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’. It was not only keyboards that were a part of this revolution in popular music: the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized. Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.
Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
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