Time Razor v1.1.0 WiN
TCD | 03 August 2023 | 3.07 MB
Makes stutter, tape, pitched(includes broken chords), panning, rhythmic, granulated, ducked, filtered, Mid/Side etc.
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Makes stutter, tape, pitched(includes broken chords), panning, rhythmic, granulated, ducked, filtered, Mid/Side etc.
Nest is a modular system which gravitates around the creation of MIDI. The basic ingredients are: 20 modules inspired by classic integrated circuits and today’s computer features, a clever voice to synth assignment, 12 patch scenes and a quad VST/Synth/MIDI Interface.
reViSiT is an award-winning tracker that plugs into your VST host (e.g. Cubase), enabling a fluid tracker user experience that couples a powerful music notation with the advanced features of digital audio workstations, such as sequencing, audio recording, video synchronisation, mixing, effects, mastering, scoring and more. Building on the celebrated design of Impulse Tracker 2 and drawing on research into creative flow, reViSiT adds many unique features not found in other programs, designed to get you interacting with your music faster and more directly, offering new levels of focus and control in digital music. Sequencing and tracking is now possible in a single work. Use the recording, video, and scoring features of your sequencer, or turn to reViSiT for fine control of a musical part, before mixing it all together in the host. reViSiT is designed to provide a user friendly introduction to both writing music and tracking, with dedicated features and tutorials to help get you started, plus more in-depth documentation when you’re ready to go deeper…
Crescendo Music Notation Software – Music note writing and composing software. A simple and intuitive way to write musical notation, Crescendo allows composers to write, save and print their music compositions on their computer. The wide array of sheet music symbols, time and key signatures, along with a free-form layout, gives a composer optimum control over creating sheet music for their arrangements.
The ultimate electric bass, MIDI and presets for retro to modern disco! If there was a time when the bass truly stepped out of the shadow of the drums and took center stage, it was during the golden days of disco. Even though the jumpsuits, platform shoes and flared pants may be a thing of that 1970s era, disco has never been more now than it was back then. It may have taken on more of a pop suit, but listen to the likes of Dua Lipa, Daft Punk or Bruno Mars and you’ll hear it. In the forefront of that sound is a classic bass belting out a juicy double-note-infused and octave-ridden disco groove. For this EBX, we went out of our way to find the ultimate instrument that could bridge that gap between classic and modern – one that had all the vintage traits but also enough girth to stand its ground in a modern pop production. We found it. At that, it’s not just any bass, it’s one of the 356 ever built Hagström* Super Swedes. Co-designed by the late Rutger Gunnarsson of ABBA fame, this is a bona fide disco bass icon just like the very man who once played it.
The Reason Rack is one of the most powerful and flexible sound design and beatmaking tools for your music. It’s a virtual studio rack packed full of instruments, synthesizers, drum machines, sound-shaping effects, Player MIDI effects, and mixing tools which come together to make your sound possible.
UPTEMPO HARDCORE sample pack. A huge 1.7 GB of insane sounds – distorted kick, synths, melodies, vocals, twisted drums, FX, VST synth presets – everything you may need for hardcore music production! Recently, the line between uptempo and mainstream hardcore has been blurred. Now, uptempo has begun to intersect with mainstream hardcore, which has become even faster and tougher. In this pack, we would like to show all the sides of uptempo hardcore, and in its classic form – fresh, crisp, with a tempo of 200+ BPM, and more commercial – mixed with mainstream hardcore. Expect to find 1.7 GB of 24-bit samples at 190, 200, 210 BPM, including 61 drum loops, 36 kick rolls, 70 melody loops, 58 MIDI files, 191 one-shots (10 claps, 20 cymbals, 20 hi-hats, 100 kicks, 21 reversed kicks, 20 snares), 100 synth loops (52 wet, 48 dry), 36 vocal phrases (21 wet, 15 dry), 52 vocal shouts, 24 distorted FX fills, 52 SFX, 327 Rex2 files, 30 VST synth presets (15 Massive, 15 Serum), 8 sampler patches (Inc. 6 drum kits, 1 FX kit, 1 vocal kit) + promo & discount folder. Inspired by artists such as Deadly Guns, Irradiate, Imperial, Barber, Soulblast, Partyraiser, and mainstream side artists like N-Vitral, Neophyte, Angerfist and, of course, our favourite girls AniMe & Miss K8, this HUGE collection of HARD samples is suitable for uptempo, hardcore, rawstyle, hardstyle, frenchcore, thrashcore, and many other styles.
Want access to famous classic and modern amplifiers and effects, right at your fingertips? BIAS FX 2 provides this and more as an intuitive, fully customizable virtual electric guitar, bass or acoustic guitar rig for Mac and PC. Works as a standalone app, allowing you to inject new tones and creativity into your playing, practicing and jamming — no need for any other software or DAW.
Cats Connector is an audio & MIDI streaming plug-in that can be used to transmit audio and MIDI signals in real time between several computers or applications, or create your own routings within a single application, with minimal latency. Have you ever dreamt to overcome the limitations of your favorite DAW and draw virtual audio and MIDI cables between any places that accept plug-ins? Have you ever been frustrated not to be able to create feedback loops with plug-ins? What about connecting multiple applications together, on different computers? The wait is over! Blue Cat’s Connector lets you do all of this, and more! It can stream audio and MIDI data in real time, between any locations that accepts plug-ins: one or several applications, on one or several machines connected to a network.
Synthesizer Expander Module is a free emulation of the classic Oberheim® self‑contained synthesizer module of the same name. Originally released in 1974, the keyboardless, mono module was intended as a companion to the one of the earliest digital sequencers, the Oberheim DS-2. Soon thereafter, Oberheim linked multiple Synthesizer Expander Modules to an early digitally scanned keyboard to create some of the first polyphonic synthesizers, used by legendary artists including Joe Zawinul, Toto’s Steve Porcaro, Styx, and Jan Hammer. Though it was a simple, barebones monosynth, the Synthesizer Expander Module possessed a unique tone quality, courtesy of its 12 dB/oct state-variable filter. With lowpass, bandpass, highpass, and notch modes, this flexible filter was the star of the show. We’ve precisely recreated it here with a filter section and Phasor effect programmed by award-winning synth designer Mark Barton (MRB).
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