Explosive EDM Arsenal Vol.2 MULTiFORMAT

AUDIOSTRiKE | 21/02/2015 | 1.01 GB

WAV MiDi REX Massive Spire

Are you ready for this?…. Explosive EDM Arsenal Vol 2 is even bigger! In detail expect to find 1.2 GB of wav 24 bit samples including 180 Professional EDM Drum Shots, 50 Processed Bass Loops, 50 Punchy Drum Loops, 60 Inspirational Melody Loops, 50 Drop Synth Loops, 160 Midi Files, 230 REX2 Files, 20 Furious Drum Fills, 40 Twisted Sound FX, 30 VST Synth Patches for Massive and Spire!

AudioPort Universal v2.0 WiN MAC

Team: DOA | 2009.9.30 | WiN: 1.51 MB | MAC: 2.76 MB

AudioPort™ Universal is a stand-alone version of Audio Impressions’ proprietary system for enabling samplers or computers dedicated to digital audio plug-ins to send multichannel digital audio over gigabit Ethernet. AudioPort is cross-platform, so it doesn’t matter whether you’re sending audio from one or more Windows PC sample players to a Macintosh or Windows-based sequencer or DAW.

Dream Patterns REFiLL

AUDIOSTRiKE | 21/02/2015 | 3.9 MB

Packed with a huge variety of colourful sounds, Dream Patterns – Thor House Presets takes you from smooth, buttery basslines and rhythmic afterglow chords to shimmering pads and vibrant leads. The full spectrum of contemporary House music is represented in this collection, to suit anything from blissed-out Downtempo and Chillwave to the slickest Minimal and most vital EDM. We’ve made full use of Reason’s powerful Thor synthesiser to bring you expert sounds made using all of the synthesis techniques Thor provides, with unique combinations and futuristic sound design to boot. All of Thor’s macro controls are assigned for fast access to the most interesting parameters. There are also 10 bespoke Combinator patches with layered sounds and judicious effects processing to ramp up the possibilities even further. 45 MIDI loops are also included so that you can get started straight away. You already know that Thor has what it takes to make incredible sounds – now let Dream Patterns – Thor House Presets put them at your fingertips!

pHATfactory 001 v1.0122 VSTi WiN

TEAM AI | 03-27-2003 | 333 MB

pHATfactory™ 001 – is the first in a series of groundbreaking new Virtual Instruments defining the future of creative music-making on your computer. pHATfactory™ combines the latest in innovative loop synthesis technology — the award-winning pHATmatik PRO™ loop engine — and over 400MB of cutting-edge, never-heard-before synth loops. But this is no simple loop library… with pHATfactory™, you’re no longer tied to the tempo or key of the included loops. Use pHATfactory’s incredible digital signal processing power to filter, distort, stretch, and mangle. You can even create completely new loops from the individual components of the pHATfactory™ loops.

NitrousNEO v1.0.0.1 VSTi WiN

FREE | x86 | 2003 | 2.24 MB

Quad Oscillators with pulse-width modulation and FM.

Its super-compact UI is designed to maximise workflow without making it too hard to work with, thanks to large, well-spaced knobs and obvious, simple to use minor controls.

Introduction to Ableton Live TUTORiAL

P2P | 19 Feb 2015 | 264 MB

In the past, Digital Audio Workstations (DAWs) were programs used only by audio engineers with a highly specific knowledge base, on machines inaccessible to most people. But over the past 10-15 years, DAWs and the act of recording music have evolved from being a luxury of the few to being available to the masses. Ableton Live is one such application. Used by an extremely broad range of music creators, Ableton Live not only facilitates the work of engineers, producers, and writers in professional, home, and mobile studio settings, but it is also a powerful platform for musicians on stage, in the DJ booth, and elsewhere. In this course, you will explore some of Live’s most powerful and useful functionality: MIDI programming, audio recording, warping and processing, looping editing, mixing, performing, file management, and troubleshooting. Meant to be a springboard for those who are new to Ableton Live and/or DAWs in general, this three-week course will provide you with a strong knowledge base for using Live to take your musical ideas from conception to final recording. The course breaks down the many barriers of entry into music technology and encourages all those who wish, to create fearlessly.

Survey of Music Technology TUTORiAL

P2P | 19 Feb 2015 | 907 MB

How can we use computers to create expressive, compelling music? And how can we write computer software to help us create and organize sounds in new ways? This course provides a hands-on introduction to the field of music technology as both a creative musical practice and an interdisciplinary technical research pursuit. Through the exploration of topics such as acoustics, psychoacoustics, digital sound, digital signal processing, audio synthesis, spectral analysis, algorithmic composition, and music information retrieval, we will explore the deep relationships between art and science, between theory and practice, and between experimental and popular electronic music. We will learn about these topics in the context of digital audio workstation (DAW) software, the multi-track editing paradigm that has been dominant in music production since the 1980s. As we learn about the foundations behind such software, we will use this knowledge to more effectively create music with it, and we will also write a series of short software programs that extend the software’s ability to manipulate, transform, and analyze sound.

AGL v2.0.0 AU VST RTAS MAC OSX

P2P | 19.02.2015 | 3.97 GB

Ample Guitar L aim to bring the Alhambra Luthier Classic Guitar sound to your studio.

FK1 Korg Mini-Pops MP-7 KONTAKT

AUDIOSTRiKE | 19/02/2015 | 9.7 MB

FK1 Kontakt instrument is a virtual Korg[1] Mini-Pops 7 analogue drum machine from the 1970s. This machine was also branded as the Univox SR-95[2] and Contessa Mini Pops. As a top-of-the-range model it featured 15 sounds and 20 rhythms. The drum sounds were produces using inductor coils (sometimes referred to as tuned tanks) and gave a lovely warm sound. The rhythms could be combined with each other to create new patterns, indeed this is how Jean-Michel Jarre — probably the most famous user of this machine — created the rhythm for Oxygene part 2.