Neon Drive v1.0.0 Maschine Expansion HYBRiD
TEAM R2R | 2015.04.01 | 336,84 MB
NEON DRIVE bottles the luminous sound of synth pop into an expansion bursting with unforgettable melody and future-retro style.
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NEON DRIVE bottles the luminous sound of synth pop into an expansion bursting with unforgettable melody and future-retro style.
If you’ve ever had to sync waves to picture then you will appreciate the need for a collection of cleanly recorded waves of various scales; from gentle idyllic waterlaps to more turbulent surf. Each location in this new library was recorded to six tracks, capturing a narrow & coherent stereo image with a Sanken CSS5 microphone, a dynamic & exciting pointillistic image using a pair of Sennheiser MKH70s, and a more diffuse, brighter image using a pair of omni-directional DPA 4060 microphones. Each ambience in the library contains a minimum of three minutes duration for each of the three sets of stereo mics, in all fourteen beach locations, along with a photo to clearly identify the setting, and GPS coordinates incase you’d like to visit on Google Earth. This library aims to provide sound editors with the ability to easily choose which location and recording/s best match the perspective and point of view of your footage. Alternatively if you need a micro-nap, hit play & transport yourself to a pristine Pacific beach, far far away…
This is what happens when you take 1950s valve-driven technology – courtesy of the amazing Jennings Univox valve synthesiser – and pump it with so many tachyons that it warps through its own wormhole into an alternate future. Well, not really. But that’s kind of what we were thinking when we started Jennings Mk 2: what would a massive analogue polysynth – the kind Roland were building in the 80s, say – sound like if the only technology available was 1950s valves? A multi-oscillator monster with all kinds of LFOs and modulation and so on, but with a valve heart? Well, no such thing exists, of course; so we built it. And it turns out it sounds pretty damn swell…
Dating from the very end of the 70s, the EKO P15 is a rare and quirky Italian analogue which blurs the line between a preset machine and a properly controllable synthesiser. It has 15 pushbutton presets (hence ‘P15’), but these are joined by LFO, VCF and VCA sections with much more promising-looking sliders and switches. In practice, the LFO is always freely tweakable, while the VCF and VCA can be switched between Preset mode (in which case they don’t respond, because behind the scenes their settings are being determined by the Preset you’ve currently called up) and Manual mode (in which case you can adjust them to taste). It’s a rather fun system, and while there are obvious limitations – only Attack and Release on the envelopes, for a start – it can be a quick and effective way to get at basic sounds. It’s also a laugh to see just how unlike their namesakes the Presets sound: Panpipes is particularly un-panpipe-like!
Phaty! Phaty! Fat Fat! Big, Heavy, Fat, Solid Leads! Oh and funky sliding leads. This pack contains leads that needs no processing at all, but if you want it fatter! well no one will stop you! 50 presets containing a mixture of heavy saw waves, whistles and funky leads. Inspired by the one and only Moog sounds. Each patch has all 8 of Massive macros assigned to various parameters, which allows the user to morph and transform each individual sounds into a completely new sound. These sounds were inspired by the underground artist Mantis.
SynthMaster is an ‘all-around’ semi-modular software synthesizer and effect plug-in that features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis. With its multi-synthesis oscillators, analog modelled/digital filters, flexible effects routing with 11 types of high quality effects and a massive modulation architecture with 95 separate modulation sources and 650+ modulation targets; SynthMaster is a ‘must-have’ for all synthesizer enthusiasts!
In this quick Up and Running course, author JSG covers another of KOMPLETE components, ABSYNTH. ABYSYNTH is a powerful synthesizer that allows for almost unlimited combinations of oscillators, modulations controls, and filters—leading to some truly unique sounds. Here J. Scott G. gives a brief overview of ABSYNTH’s features and main sound making components, including its modules, oscillators, filters, modulation controls, effects, and automation. Then he puts its features and sound-making abilities to work, so you can see how ABSYNTH fits into a real musician’s workflow.
If you have even the vaguest interest in anything cosmological, you will no doubt be aware that NASA and other international space agencies have been sending probes out into the deepest recesses of our solar system and, with the aid of telescopes as well, have been recording the radio waves emitted by our universe and converting them to audio. The music of the spheres as was once referred to in the middle ages … or the Sounds Of The Universe … or SOTU.
Each m1.syx and WAVESTATION.wsram bank file has now been converted into a .fxb bank file to load into KORG Collection with fl studio and a mouse weel click. you can also load them in using the plugin interface, HaVe FuN :)
THUD! is the goto source for producers and musicians seeking big, fat, floor shaking, bass sounds. Thud! Instantly adds 101 finely crafted bass racks to your Ableton Live based System. These Bottom-heavy Instruments were created from a hand picked collection of over 200 Seamlessly Looped Waveforms from the TrackTeam Core Wave Library. Included are samples from some super- cool sources including the the ARP 2600, Waldorf’s Microwave XT ( Unison Mode ), Novation Super Bass Station, the Micro Moog and Roland V-Synth… to name a few. As with most of our collections, many sound sources have been layered and combined to create fresh and intriguing timbres, which will allow your productions to stand out from the crowd. TrackTeam Audio has carefully edited these source waves, finding the perfect loop points so each wave can easily be “hot-swapped” to any existing Simpler or Sampler patch, Also, These waves are ready to be used in any other software samplers such as Absynth, Kontakt and EXS24.
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