Korvpressor v1.0.2 WiN

Team V.R | Dec 22 2017 | 1.6 MB

(Win32/64; AAX*, VST3, VST)

If you work with audio, you’ll eventually need a good compressor in your toolbox. Korvpressor* is an adaptive compressor / limiter that’s usable in many different ways. It has a super-simple UI, a whole new ”physical” take on how to tame and visualize a compressor. The controls are minimal – set the input gain, level of compression, and the output gain. However, don’t be mislead by this simplicity. Under the hood is a sophisticated set of algorithms, developed together with a team from the KTH Royal Institute of Technology in Stockholm. The compression algorithm was designed with transparency in mind, and Korvpressor will sound great on almost any kind of sound; all from a vocal track to a full blown mix. If you push it even harder, it gives a nice squeezing effect.

Supervillain Dirty South Kits

AUDiOSTRiKE | 23/09/2015 | 324 MB

WAV MiDi REX

‘Supervillain: Dirty South Kits’ brings you villainous sounds inspired by phenomenal producer Lex Lugar. These kits were designed to give you the grit and grime of the streets. With these classic kryptonite sounds you will be on your way to being the envious villain of the music industry. Everything you need to create hits is included in this classic collection of Dirty South sounds and loops. Follow in the pattern of phenom producer Lex Lugar who has produced music for the likes of Rick Ross, Lil Wayne, Kanye West, Jay Z and many more. These loops will defeinitly put you on the right track to being the envious supervillan of music!

Producing Drums with Superior Drummer 3

SYNTHiC4TE | Dec 05 2017 | 877 MB

In this video tutorial series, guru shows how Superior Drummer 3 can be used as an all-inclusive, powerful, drum production tool. Learn how to create and produce a pro-level drum track and arrangement from start to finish, plus how to fine-tune your kit to fit the song, and mix it as well! Everything is discussed from the perspective of producing a drum track for an existing song. In this series, Luke uses an original rock song with Bass, Acoustic Guitar, Electric Guitar And Vocals. After discussing a variety of recording options and how to create drum parts using MIDI grooves, Luke extracts MIDI from an existing drum track that was originally recorded for the included song.

L8R v1.0.3 WiN MAC

Team R2R | Nov 23 2017 | WiN: 9.9 MB | OSX: 42.2 MB

AAX* AU VST VST3 x86 x64

L8R is a super simple but very handy plugin. With just a single knob (and a couple of buttons) it lets you apply micro delays to your left or right channel. It’s perfect for either correcting or creating very small timing differences between your stereo channels.

EQ495 v1.1.2 WiN

Team V.R | Oct 29 2017 | 50.2 MB

AAX* VST VST3 x86 x64

EQ495 is the emulation of a very rare and legendary analog EQ

Originally created for a vinyl transfer console, this EQ has then been used for both mixing and mastering thanks to its super musical curves.

Super Uzi WAV

FANTASTiC | Oct 29 2017 | 160 MB

Super Uzi is a collection of five Construction Kits inspired by Lil Uzi Vert, Playboi Carti and producers such as TM88, Don Cannon, and Metro Boomin. As always with 2D releases, you can be sure you’re getting the finest production material to work with. As always, 2D aims to deliver nothing but the highest quality Kits, having production credits ranging from 50 Cent, Tank, Fetty Wap, Method Man, Rick Ross, Ghostface Killah, Jadakiss, Uncle Murda, Shyheim, Sean Price, Sexion D’assaut, Selfmade Records, Epic Rap Battles Of History, Rockstar Games and countless other artists & companies.

Cyclone v1.0.1 WiN MAC

P2P | 29.10.2017 | WiN+MAC: 24 MB

AU/AAX/VST/VST3/x86/x64

The Cyclone was born… A compressor diverse enough to glue sub groups, add groove to percussion, warm up synths and guitars, and add the final touch of magic at the mastering stage. Also our algorithm and code are so precise and specific to the task at hand, that the Cyclone is super light on your CPU, meaning you can run multiple instances with ease. The Cyclone interface has been designed for ease of use, with the controls laid out from left to right in a typical order that most engineers will follow when making adjustments, enabling you to speed up your workflow.

Fault v1.1 WiN

TEAM V.R | Oct 28 2017 | 8.41 MB

AAX VST VST3 x86 x64

No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).

Zip v1.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

(Win32/64; AAX*, VST3, VST)

Calling Zip a compressor is like calling a Lamborghini a passenger car. It does neither one justice. Zip creates unique effects and solves thorny audio challenges in a flash, leaving traditional compressors in the dust. Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip.