Serato Hex FX macOS

Team FLARE | 26 DECEMBER 2024 | 109 MB

Hex Your Sound Add color, energy, and movement to every track with a full suite of chainable FX—all in one plugin. From subtle tweaks to full-on chaos, the power’s yours.

SiLVER BULLET MK2 WiN

TEAM TCD | 06 June 2025 | 43 MB

x64:AAX, VST3, VST2 | x86: JBridge

Direct-to-DAW recordings can sound cold and lifeless due to the lack of multi-stage saturation that a recording console provides. Louder Than Liftoff’s SILVER BULLET mk2 plugin applies a combination of sweetening effects, allowing you to shape the tone of individual tracks, instrument busses, and stereo mixdowns. Open your mixes to a new level of character, normally only found in studios with massive analog recording consoles and mountains of outboard gear.

DRC v1.0.0 ARM macOS

GUiSEPPE | 28 May 2025 | 55 MB

DRC is a powerful new dynamic processor plug-in inspired by the legendary DBX 118. With a fresh perspective on the classic concept, DRC offers advanced processing capabilities that are seldom found in contemporary hardware or software, making it an essential tool for modern music production. While the DRC draws inspiration from the DBX 118, it is not a direct emulation of the original hardware. Instead, it re-imagines and expands upon the original concept, incorporating additional features to enhance its utility in various audio processing scenarios. This unique approach allows users to harness both compression and expansion across the entire dynamic range of the signal. Additionally, the processor can isolate and handle signals above or below the threshold, providing a more refined level of control.

Tetrad v1.1.5 WiN

Team TCD | 26 September 2025 | 7.1MB

Tetrad is a hybrid instrument based on physical modelling and granular synthesis. A unique quad bus signal chain feeds 4 modelled plates alongside a full modulation matrix, creating a soundscape that rewards experimentation. Tetrad is like no other synth you’ve ever used. The plugin takes four oscillators, routes them in combination through a Quad AM processor that works like a pseudo-sequencer, a specifically tailored Granulator, and four physically modelled plate resonators. Inspired by Gadi’s sculpture-based synth installation, as heard on the album Modes of Vibration, Tetrad was originally devised as a complement to the slashed plates and sound generators of the experimental setup, but has grown into a plugin instrument that puts the capabilities of the installation into a single piece of software in a DAW.

Lo-Fi Keys 2 v1.0.0 WiN MAC

BUBBiX | 27 March 2025 | WiN:402 MB | MAC:324 MB

(64-bit: VST3, AAX, AU)

Welcome to Lofi Keys 2, the next evolution of our beloved lo-fi instrument designed to inspire your musical journey. Building on the iconic sounds you know and love, we’ve added exciting new features like the MiniWave wavetable engine, neural-based effects, and AI-powered reverbs. These innovations expand your creative possibilities across genres, from lo-fi and ambient to hip-hop and cinematic scoring.

Phonetic v1.2.0 KONTAKT

Team ViP | 26 October 2024 | 777MB

PHONETIC is an innovative vocal morphing engine for Native Instrument’s Kontakt 6. It draws on a wide selection of single and dual phonemes (ah, eh, ba, la, vv etc) as a basis for musical sound design. Although technically a sample library, the architecture and resulting sounds are more reminiscent of a synth. PHONETIC’s pulses, pads, keys and other sounds are not limited to the original performers’ ranges and are therefore playable across the entire keyboard range. Be prepared to be mesmerised by a smorgasbord of looping, whirling and gradually unfolding velvety soundscapes. PHONETIC is a syllable-based vocal morphing engine for Native Instrument’s Kontakt 6. It is loaded with 44 female and male vowel/consonant performances recorded across a broad range of pitches, arranged in three layers: Body, Loops and Air. The over 3000 total possible sound combinations can be sculpted into evolving pads, pulses, pad/pulse combinations, and also keys and riser sounds with the Shape, Morphing and Movement controls in the user interface. PHONETIC contains 125 presets, ranging from minimalism-inspired looping female single syllables, via gently evolving formant-filtered pad sounds, to gritty distorted riser sounds.

Pulsar 8200 v1.2.7 WiN

Team R2R | 24 September 2025 | 80.7 MB

PLATFORM: VST2/VST3/AAX(MOD)

The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.

MLC S_Zero 100 MAC

MORiA | 23 July 2025 | 592MB

PLATFORM: AU/STANDALONE/VST3

Lay down your guitar tracks with one of the most exclusive, high-quality guitar amps available today. Modeled using groundbreaking new technology and sound designed by Jens Bogren, the MLC Subzero 100 plugin is a sonic powerhouse that genuinely stands out from the crowd of digital amp simulations. Multi-faceted, lifelike, and endlessly inspiring. Use the Subzero 100 to craft the guitar tones your songs deserve. The amp is a fully featured, extremely accurate model of the physical amp, with a simplified interface to help you dial in the tones efficiently. The power amp tubes can be switched per channel between 6L6 and EL34 — a feature unavailable on the physical MLC Subzero 100 amp.

Mikron Bundle v1.1.2 WiN

Team R2R | 22 September 2025 | 49.1MB

The 112dB Mikron series is all about simplicity. We believe that too many features can stand in the way of the creative process. Simply said: more features also means more tweaking and having to delve into all kind of technical details. And that often distracts you from what it’s al about: creating music. You really don’t need that many knobs to get a great sound. The effect pedals for guitars are a perfect example of this. Their limited functionality is more than compensated by their fun to use. Or do you really believe that Jimi Hendrix and Kurt Cobain would have made better music if they just had these few extra knobs on their stompboxes? Limitations often inspire creativity instead of blocking it.