Microtape 15-16 Lysergic Autoharp

Autoharp Oddbox KONTAKT

TEAM MAGNETRiXX | 21 April 2014 | 92 MB

Microtape 15 is a set of psychedelic sounding autoharp chords – Majors,Minors and Major Sevenths, strummed up and also down. Recorded with maximum character on the Vortexion CB1, these are not subtle sounds. 6 presets. Microtape 16 contains percussive sounds of varying degrees of oddness made with the autoharp. 5 presets. Both interfaces feature the usual microtape tape degrader controls, ADSR, expression controls, saturation and vibrato.

Drums, Beats, and Rhythms in Logic Pro X

English | April 18, 2014 | .MP4 | Audio: aac, 44100 Hz, stereo

Video: h264, yuv420p, 1280×720, 23.98 fps(r) | 276.34 MB

Getting good drums and beats is one of the most important and difficult aspects of working with Logic Pro X. How do you create something original or unique? How do you create a realistic roll, flam, or fill? Can you avoid sounding like everybody else? This course will give you full access to all the creative tools you need to get absolute control over the rhythms of your music.

Microtape 13 Spongebridge Bass KONTAKT

TEAM MAGNETRiXX | 21 April 2014 | 6.8 MB

The Dish-sponge-under-the-strings 60s bass sound – with some added grit and compression options. Recorded with an Aria (Precision Bass replica made by Matsumoku).

Microtape 3 Dubdrum 141 KONTAKT

TEAM MAGNETRiXX | 21 April 2014 | 25 MB

No.3 in the microtape series.

DubDrum 141 – 16 variations of a beat from the Hammond auto-vari64 drum machine, dubbed out through 2 daisy-chained wem copicat tape delays and each mapped to a different key. Tempo at 70.5/141 bpm. With 5 token presets, this isn’t designed as a synth, like Tronto for example, but as a player, with a virtual tape machine running all the time beneath the engine. You have 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds are easily obtainable, or you can set the controls to zero to bypass the effect. There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tape (likewise with the release).

G. BAROCCO Presets For Ni Massive

TEAM MAGNETRiXX 20 | April 2014 | 5.2 MB

This pack contains 65 presets for one of the most used soft synths in Electronic music, NI Massive. The Pro Zone series, is the brand new series of releases made by internationally acclaimed artists that can really push your soundsets forward.

Cooltec EQP1 v1.3.609.0 VST WiN-R2R

TEAM R2R | 2014.04.19 | 855.82 MB

The Cooltec EQP-1 Program Equalizer Plug-In Suite (7 single plug-ins) is created to provide you with a rare piece of American Music History. This is a world-class, world-famous, original “Cooltec” designed as the very first in the “EQP” line, using the original transformers and vacuum tubes. It uses vacuum tubes to provide the proper gain staging and an inductor for the amazing input frequency processing.

D361A Special Edition v1.3.609 VST WiN

TEAM R2R | 2014.04.19 | 513.77 MB

The D361A Special Edition (4 presets) reproduces the sound of a classic unit used in countless records in the 1960’s.

EMX Classic Amps v1.0.0 WiN MAC-R2R

TEAM R2R | 2014.04.19 | 13.33 MB

Some amps are so intertwined in the fabric of guitar driven music that its tones are unmistakable. For the past six decades, they have been the voice and vehicle of countless legendary players and in the process become legends themselves. We’re talking about classic amps – the tube driven work horses that defined and keep redefining genres. “We wanted to model the most influential amps of the past 50 years and put together a collection of tones that could work for any kind of guitar oriented music. We ended up with settings spanning anything from blues to British Invasion, punk, grunge and pop”, says Toontrack sound designer Ulf Edlund.

W735 EQ v1.4 for Nebula

TEAM R2R | 2014.04.19 | 76.89 MB

About W735 EQ

The W735EQ is based on the very rare and hard to find W735/1 equalizer which was designed and manufactured by the RFZ – Rundfunk- und Fernsehtechnisches Zentralamt (RFZ) / Deutsche Post.
It’s design was also used in the EB800 as a Mono-Module. We’re happy to own two of these rare and special equalizer and that we have ported them for you as a plug-in. Now you can use it on everything you want! As much as you want! Use it to shape your sound with this unique equalizer! No need for the 1000th emulation of all the other big-name-equalizers.