Syntec Wall Of Sounds Vol.1 ENSONiQ

Team TNC | Date: 03-01-04 | 120.40 MB

WOS1: sound worlds for Ensoniq ASR 10, ASR 88, ASR-X, EPS 16+, TS 10/12 orKurzweil K2000/K2500/K2600.
Over 400 sounds from classical synths to techno and drum loops. You can find a test report for this CD-ROM in German KEYS 11/94. Some high-lights of this CD-ROM are f.e. the sounds: Fairlight V2, Shakuhachis, Hammond B3, Hohner D6, Fender Rhodes and the legendary Prophet VS sounds, just to give you an idea of the sounds you will get. Beside our Ensoniq sound library you will find the Syntec “VFX-Construction-Set” on Wall of Sounds 1 which let you create the famous Ensoniq VFX sounds on your sampler. We give you all the basic sounds as found in the internal sound ROM of the VFX as ready-looped samples.

Syntec Wall Of Sounds Vol.1 EMU

Team EtHnO | Date: 01.06.2004 | 451.84 MB

WOS1: sound worlds for Ensoniq ASR 10, ASR 88, ASR-X, EPS 16+, TS 10/12 orKurzweil K2000/K2500/K2600. Over 400 sounds from classical synths to techno and drum loops. You can find a test report for this CD-ROM in German KEYS 11/94. Some high-lights of this CD-ROM are f.e. the sounds: Fairlight V2, Shakuhachis, Hammond B3, Hohner D6, Fender Rhodes and the legendary Prophet VS sounds, just to give you an idea of the sounds you will get. Beside our Ensoniq sound library you will find the Syntec “VFX-Construction-Set” on Wall of Sounds 1 which let you create the famous Ensoniq VFX sounds on your sampler. We give you all the basic sounds as found in the internal sound ROM of the VFX as ready-looped samples.

Syntec Wall Of Sounds Vol.3 EMU

Team TZ7iSO | Date: 04.26.2003 | 352.24 MB

Together with the “master of sounds” Kurt Ader, we managed to create this magical CD-ROM available for your EMU EIV, E4X, E-Synth, E-5000, e-6400, e-64, EIV-K, ESI-4000, ESI-32, E-III XP or compatible samplers. It contains 66 sound banks from 1 to 22 MB (Stereo Grand) with exciting sounds which should not be left off your sound collection. We call Wall of Sounds 3 “General Purpose” a great value for those having their first E-mu sampler and want to have a huge collection of many different great sounds to start with. Also these which are looking for new sound stuff should take a close look to the sound list. Some high-lights of this CD-ROM are f.e. the sound banks: Mellotron M400, Hammond B3, Simmons SDS7 Drums, Fairlight-CMI and Synclavier – Best of NED, just to give you an idea of the sound banks you will get.

Rhodecase88 v1.0.1 WiN MAC

Team ViP | 23 October 2024 | WiN:409MB | MAC:525MB

Rhodecase88 is an instrument built on the cutting-edge HISE sampler engine and no modeling was involved. We used a minimalist approach to sampling this instrument focusing on efficiency, versatility, and innovation. It is our philosophy that great virtual instruments have very little to do with the number of velocity layers and everything to do with it how it makes you feel emotionally. Rhodecase88’s compact size and light CPU usage make it perfect to integrate into your existing live performance Mainstage or Ableton rig or your huge composer template. We designed this instrument through a “MIDI MAP EVERYTHING” lens. What that means is the power of this instrument is in the assigning of parameters to different knobs on your keyboard and/or pedals. … a truly performative instrument! By default, the stereo tremolo of the KEYS LAYER is automatically assigned to the mod-wheel, the PAD LAYER volume is automatically assigned to your expression pedal. No need to fuss with automation and programming. You can control and morph your sound on the fly! With it’s feature-rich and intuitive user interface, Rhodecase88 is nothing short of inspiring. Whether you’re an electric piano purist or a forward thinking sound designer, you will find this new instrument to be an essential color for your palette.

Logic Pro Vintage Keyboards Explained®

FANTASTiC | 30 December 2023 | 297 MB

If you use Logic Pro, you may know you already have a formidable collection of vintage keyboard emulations at your disposal. With this Logic Pro video course from Logic expert Eli Krantzberg, you’ll go on a deep dive into each, the Vintage B3 Organ, Vintage Electric Piano, Vintage Clav, and Vintage Mellotron, learning the ins and outs of all their tone-shaping parameters, effects, and more. By the end, you’ll know exactly how to get the sounds you want from each, along with several useful tips for MIDI hardware control and more. These Logic Pro vintage keyboard videos are designed for new users of these virtual instruments.

Interface Dance DLP

Team ASSiGN | 18 NOVEMBER 2010 | 275.42 MB

This is a truly excellent all-round dance sample collection. It’s difficult to come up with a winner when there are masses of superb dance sample CDs out there, but Interface Dance has definitely cracked it. Extremely well-organised and categorised, this CD encompasses many areas of dance production including Nu-NRG / Euro, Techno / Industrial, House/Garage, R&B / HipHop, Jungle and Hardcore. Samples for each category include Drum Loops, Hits, Synth & Bass multisamples – with demos illustrating their use (incl.Matrix’s , Jupiters, Moogs etc). Vocal Shouts / Ad-libs and special FX. Instruments specific to sections include TB303 basslines, Horn hits & stabs, Piano,Sax & Hammond Organ multisamples, Guitar riffs, MC/Ragga Vocals and more…

Singer-Songwriter Grooves MiDi

P2P | 31.12.2019 | 7.40 MB

ALL OUT LAID BACK.

A broad collection of grooves for laid back and vocal-driven pop/rock.

This collection of drum grooves was put together with the demanding singer-songwriter in mind. For anyone looking to write vocal- and melody-driven music where the drums are meant to serve as the backbone of the rhythm section but never get in the way of what matters the most: the song. Expect a variety of fundamental and mellow grooves for ballads, mid- and uptempo songs for use in any pop, acoustic rock or laid back music fitting the broad definition of what “singer-songwriter” music is today. Think Albert Hammond, James Taylor, Marc Cohn, Boz Scaggs, Elton John, John Mayer and Ricky Lee Jones and you’ll get a perfect sonic image of what these grooves sound like.

XXLarge Analogue Dreams WAV

P2P | 26.06.2018  | 524.80 MB

This sample CD starts off badly, with over sixty “classic” patches that sound suitable only for producing cliched rave tunes. Each of these patches contains only a single sample which spans several octaves, and to make matters worse, the sample is usually of a whole chord, making it impossible to use the sound to produce your own major and minor chords. After that embarrassing false start, the CD improves so much that you quickly lose any doubts you might have first had about its quality. The vast majority of the patches are in this much better main section of the disc. While only a few synthesisers are covered, they include several highly sought after classics such as the Moog Memorymoog, Oberheim Matrix 12, Yamaha CS-80, Roland MKS-80, and Sequential Circuits Prophet 10. These synthesisers, and several others, are well represented on the disc, with each synth contributing between about seven and twenty different patches. Unlike the opening “classics” section, each patch in the main section of the disc consists of ten or eleven samples, each sample spanning six notes, giving you a total of five octaves covered. The sounds are all of single notes rather than whole chords, so you can play melodies and your own chords. The looping is well done, just as the label claims, and many of the samples are solid, usable sounds.

70s Funk Rock ELASTiK

TEAM DYNAMiCS | Oct 2014 | 1.98 GB

Fuse the best of both worlds to create a true explosive result! The mixture of black and white music created a whole new genre characterized by fat rock sound, tricky beats, funky guitar licks, virtuosic keyboards and pulsating basslines: 70s Funk Rock – pure energy! Back in the 70s, Funk doubtlessly offered the best groove while Rock featured the best sound. It is not for nothing a lot of this period‘s productions are still counted among the unrivaled milestones of music. We need to thank the masters and heroes of this era for not just mixing elements of Funk and Rock but for creating a dense fusion of both genres. Guitarists spiced up their funky licks using overdrive and octave pedals, adding furious lines and backings, including virtuosic Jazz-solos and extraordinary key changes. Drummers added syncopations to their grooves while a heavy dotted bass kept the foundation. Keyboarders were finally able to prove their abilities outside the typical jazz combo, changing their play during the song using Hammonds, Clavinets and Minimoogs. Ueberschall‘s 70s Funk Rock combines the energy-filled mixture of this creative era with the endless possibilities of modern music production.