Bass Driver is a 3 band overdrive / amp sim based on the SansAmp Bass Driver DI*, featuring parametric crossovers to heavily sculpt your bass guitar tone and achieve a modern balance and texture.
DMGAudio is Dave Gamble and co-conspirator Krzysztof Oktalski, enriched with ideas from hundreds of engineers, producers and audio specialists. Dave has worked in Pro-Audio for over a decade, for prestigious companies such as Focusrite, Novation, Sonalksis, Neyrinck, Brainworx. DMGAudio was created to build the products that we’ve always wanted; free from the constraints of a board of directors and instead driven by our users.
The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.
With Equinox, iZotope has thrown down the gauntlet on reverb plugins, creating one of the most flexible and powerful algorithmic verb plugins ever. With this Equinox video course, Groove3 instructor Eli Krantzberg will walk you through the plug from front to back, leaving no stone unturned and demonstrating how to harness its potential and completely transform your mixes and your thoughts about reverb altogether! Don’t believe us? Just watch! These Equinox videos are designed for new Equinox users. Eli begins with a broad overview of the plugin, giving you the lay of the land and providing a brief demonstration of its sound and potential. Then you’ll dip your feet into the reverb pool, as Eli shows you how to use several macro-style controls to get a great-sounding space with little fuss for those times when you don’t need to get surgical or fancy. You’ll also see how to work with presets using the intuitive filtering, tag, and search systems. Next, you’ll begin to explore some parameters for more specific control of your reverb, starting with the tail attack, which allows you to affect the onset and anomalies of the verb’s tail. Eli also shows you how the damping and crossover controls can be used to dampen and change the tail’s length at various frequencies, while Suppression and Delay allows for manipulation of the verb’s ducking or bloom qualities.
Join mixing wiz Eli Krantzberg on a deep exploration of Neutron 5, iZotope’s flagship all-in-one mixing suite. This incredibly powerful plug-in collection contains everything you need to produce 100% professional-sounding mixes with greater ease than ever before. With all that power under the hood, however, it can be a bit intimidating, as it’s hard to know where to start. That’s where this Neutron 5 course comes in. Eli walks you through each component, explaining how it all works and showing you plenty of usage tips along the way, so you’ll be confident you’re getting the most out of everything Neutron 5 has to offer. These videos are designed for new Neutron 5 users. Eli starts off by looking at the interface and showing how everything is laid out so you can get your bearings as we proceed, followed by an examination of the IO panel channel controls and the various limiter options available. Then you’ll learn about all the common controls that appear in most of the individual modules, such as the multi-band crossover spectrum view, the delta button (for auditioning module processing in isolation), etc.
HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.
The MB3X Multi-Band Mastering Compressor is a plugin emulation of the hardware unit manufactured by Rocksonics Professional Audio in the mid 1990’s – with BONUS features only available in the plugin. The MB3X is a mastering grade compressor/limiter with extremely low distortion and utmost musicality. The MB3X uses multiple layers of program-dependent RMS level detectors for smooth, low distortion “musical” results while being very simple to set up and operate. The compressor has three fixed bands of compression separated by unique, constant amplitude Bessel crossovers that produce minimal phase distortion and NO pre-ringing. A single Threshold control sets the nominal compression threshold point that can be individually trimmed for each band via unique “tilting” trim controls making it extremely fast to set up.
Audiolense is a state of the art solution for digital crossovers, frequency correction and true time domain correction. The frequency correction is included in all version. This alone is enough to improve the sound quality in the finest audio systems. Our 2.0 offering is in our opinion one of the best bargains in high end hi-fi. The surround version provides frequency correction for all speakers in a surround setup, proper time alignment and a sophisticated crossover solution for seamless bass management. Our high end offering – the Audiolense XO – comes with True Time Domain (TTD). The TTD correction fully synchronizes the first arrival for all frequencies and all speakers involved. Audiolense XO also comes with a very sophisticated and configurable crossover solution that covers all bases.
The bx_XL V2 provides mastering engineers the ability to deliver loud mixes, without squashing the life out of them. Using the M/S technology from BWX’s revolutionary bx_digital EQ, you can split the Mid channel into two bands (high and low), allowing you to control the level of three individual channels—side, mid-high, and mid-low—to increase loudness while drastically improving the clarity of your mixes, with far fewer artifacts and much more punch.
The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.
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