Acid 25 For ABLETON LiVE TEMPLATE

DiSCOVER | 10 JANUARY 2016 | 164 MB

‘Acid 25 For Ableton Live‘ is a project that features powerful Basslines, Hypnotic Melodies, Psychedelic Ambiences and FX. The project contains a mix of audio samples recordings, allowing the user to delve into the inner workings of a Psy–Progressive production.

Gangster Minimal Template For Ableton 9

FANTASTiC | 26 November 2015 | 3.1 MB

This Template pack is for Ableton Live 9 Users. Includes 4MB Unzipped Ableton Live Template. Gangster Minimal Template is for Producers of Minimal / Techno. These templates are licensed to you as royalty free, so you can use it in your original productions at no extra cost. These templates are for Ableton Live 9 Users. Includes Presets for Sylenth1.

Ultimate Ableton Live: Part 2 Recording and Warping TUTORiAL

P2P | 23 November 2015 | 400 MB

Learning Ableton Live the right way: From the basics to the advanced, from Ableton Certified Trainer. For years I’ve been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost.

MachineKits v1.0 LiVE

TEAM DYNAMiCS | August 2011 | 574 MB

MachineKits brings together six classic drum machines, over 1900 high quality samples, and a huge selection of clips. MachineKits is a perfect add-on to Ableton’s drum machines, programmed by the same sound designers. Kits include lifelike re-creations of a complete MFB modular percussion system, the Simmons SDS-1, and Ace Tone Rhythm Ace.

Ultimate Ableton Live: Part 3 – Producing & Editing TUTORiAL

P2P | 17 November 2015 | 580 MB

Learning Ableton Live the right way: From the basics to the advanced, from Ableton Certified Trainer J. Anthony Allen. For years I’ve been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost.

Anatomy Project Ableton Live Template

FANTASTiC | 12 November 2015 | 9.6 MB

Anatomy is an innovative new Ableton template manipulating production techniques used by the pros to create fresh Future Bass tracks up to industry standard. Use this template to create your next production or simply use it as a learning tool. Featuring synth patches, drum hits and loops, FX samples and MIDI files – this template has everything you need if you are an inspiring Future Bass producer.

Ultimate Ableton Live MaxForLive Part 7 TUTORiAL

SYNTHiC4TE | Nov 11 2015 | 531 MB

MaxForLive is a powerful tool that lets users design their own instruments, effects, and devices. It isn’t without its drawbacks: MaxForLive is notoriously difficult to learn. I’ve developed an approach for teaching MaxForLive that focuses on teaching it like a language: You will learn small blocks and patches, understanding the how and the why along the way. As we grow our vocabulary, we “learn how to learn” more and more.

DeeEx MULTiFORMAT

P2P  | Nov 29, 2011 | 1.58 GB

LiVE | RENOiSE | KONTAKT | LOGiC

Puremagnetik has released DeeEx, which they describe as a collection of 80′s FM synthesis programs based on the Yamaha DX7. It includes almost 500MB of professional multisampled instruments and is now available for Ableton Live 8, Kontakt 4, Renoise and Logic. Here’s all the details directly from Puremagnetik:

How To Create a Template & DJ with Ableton Live TUTORiAL

P2P | October 11 2015 | 133 MB

Learn how to DJ with Ableton and create your own custom midi mapped template. This course will teach you to turn a blank Ableton Live project into a reusable template. You will learn how to warp songs so they are mixable. Included is a Free Copy of the completed template from the course. This course will take about 1 Hour to complete.