The Hammered Dulcimer is a high fidelity sounding string instrument with 31 pairs of strings. Its sound is well-known in film scores and in ethnic Arabian music. It is a wonderful instrument to enrich your music with lovely strings’ shining and glimmering sound. The Hammered Dulcimer is a stringed instrument with 31 string pairs stretched over a trapezoidal soundbox. Usually, the Hammered Dulcimer is set on a stand in front of the musician, who holds small wooden mallet hammers to strike the strings. The dulcimer has two bridges, a bass bridge near the right and a treble bridge on the left side. The bass bridge holds up bass strings, which are played to the left of the bridge. The treble strings can be played on either side of the treble bridge; playing them on the left side gives a note a fifth higher than playing them on the right. The strings of a Hammered Dulcimer are found in pairs, two strings for each note. Each set of strings is tuned in unison and is called a course. As with a piano, using multiple strings per course makes the instrument louder. However, as the courses are rarely in perfect unison, usually it results in a chorus effect – such as with a mandolin.
We recorded the hammered dulcimer in two microphone positions. At the top of the instrument, we placed – in an ms stereo set-up – a pair of Neumann U87s, and at the bottom, we put a single condenser. These two positions cover a wide range of sound. We played the hammered dulcimer in minor thirds and concentrated mainly on three different articulations. Firstly we recorded the “normal” notes, which means we hit the strings with the typical small wooden mallets; we called this articulation “Mallet”.
Furthermore, we struck the strings with a drum stick and called the articulation “Sticks”. Finally, we recorded an articulation where we hit the strings with a timpani mallet and damped the strings with the palm of the hand, which we named “Muted”. For the “Plec” articulations, we plucked the strings using a plectrum, and “Vintage” is a remnant of previous versions of this instrument. These articulations were recorded in 4 round robin variations and up to 4 velocity layers.
Besides this, we cared most about producing the typical Hammered Dulcimer tremolo. The mod-wheel controls this roll-like tremolo, and you can control the tremolo tempo from slow to fast by turning the wheel. We included a random factor that automatically affects the tempo and velocity to avoid sounding artificial. Furthermore, we added several functions and effects such as reverb control, distortion and an octaver. This expands the entire sound of the hammered dulcimer and gives you many options.
We came out with an instrument that enriches your music with a nice and organic feel, whether you used it as a solo or just as a background instrument.
With update 2 for Kontakt, we have added presets and some new features such as an arpeggiator. We have also taken the design to a new level.