RawPrime v1.1.0 WiN MAC

MOCHA | 07 January 2026 | 72.1 MB

…: VST2i, VST3i, AUi :…

RawPrime is a physically modeled hybrid synthesizer, built using specific digital and analogue electronic components derived from the 1970s-1980s telecommunications industry. Meant to be a real-world replicable device and manufactured using vintage electronics, RawPrime features a very original synthesis approach : at first it generates huge amounts of aliasing signals on purpose, then it uses that aliasing signals as its sole sound source. An expressive analogue filter, a set of modulators accessible from a matrix interface, two multi-effect slots and a creative polyphonic arpeggiator just complete the picture : RawPrime aims to be one of the all-time favourite vintage synthesizers, from a past that never was.

Features:
– Physical modeling simulation of hybrid digital/analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach – oscillators, filters, envelopes (,…) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology
– Full 64-bit processing accuracy for every single aspect of the simulation
– An all-in-one complete setup : polyphonic hybrid digital/analogue synthesizer with built-in arpeggiator + analogue and digital insert/master effects
– Four-voice polyphonic (voice component modeling) – working as monophonic as well, including an optional unison mode
– Featuring a vintage polyphony management method, with first-voice re-assign (instead of round-robin)
– A compact real-world replicable device, established on a 100% original synthesis method
– A 100% original sound oscillator built from modeled lo-fi, late-1970s / first-1980s telecommunications-class NCO and DAC components, producing overtones out of expressly generated aliasing signals
– Separate controls for overtones generation, morphing and blending
– Expressive 2-pole resonant low-pass diode-ladder analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach) with a very specific, uncommon design
– Additional 1-pole non-resonant high-pass analogue filter (modeled after real hardware by the adoption of the topology-preserving transform / zero-delay feedback approach)
– Three analogue envelope generators (two are freely assignable, one is hard-wired to the analogue amplifier) with a steep attack curve (0.3 ms) modeled after the Curtis CEM3310 proving the same capacitors’ charging/discharging responses as found on the original analogue circuits
– Two freely assignable digital sinusoidal LFOs (frequency from 0.02 Hz up to 30 Hz)
– Featuring a full modulation matrix, allowing for easy and clear source-destination assignments
– A built-in creative multi-mode polyphonic arpeggiator based on note-priority

Including an insert effect slot with the possibility to choose :
– – CHOR-S unit (rack), an expressive stereo chorus effect
– – FLANG-R unit (rack), an expressive stereo flanger effect
– – X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect
– – SOLIDA unit (rack), an accurately modeled, rock-solid transistor distortion effect
– – PHEEBEE unit (rack), an expressive digital foldback distortion effect
– – CRUSH-R unit (rack), a creative digital bitcrusher effect

Including a master effect slot with the possibility to choose:
– D-LAY unit (rack), a tempo-synced stereo delay effect
– REEVERB unit (rack), a resonator-based electronic reverb effect

Including 150+ ready-to-use factory presets collection covering multi-genre styles:
– Single-view interface, vintage microcomputer-styled synth panel
– MIDI automation
– Support for sample rates from 44.1 kHz up to 192 kHz
– Available in multi-size GUI resolutions

INFO/DEMO/BUY: https://mage.si/rawprime
RawPrime v1.1.0 WiN MAC-MOCHA
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