Creating voice-overs has never been easier. Adjusting the volume of a spoken word in a video can be time-consuming, we thought there could be much easier way to edit voice-overs. Just add music and SpeakUp. SpeakUp works in all audio editing software supporting automation, not in FinalCut Pro.
Sharpen your sound with the set of 12 legendary stompboxes. You can never have enough pedals in your studio. There are thousands of stomp boxes on the market of different sound, purpose and quality. We chose 12 legendary pedals to revive the legacy of the famous DSound Stomp Boxes and Audiffex Pedals and created MultiDrive Pedal Pro – the perfect combination of distortion, overdrive, fuzz & boost is the right blend for your studio developed by professionals.
The all-in-one drum processing tool designed and tuned by the DW recording engineers. DW Drum Enhancer is designed to process the basic drum sound spectrum from A to Z.
A creative toolbox with studio effects based on the result of over twenty years of research at IRCAM in the realm of music related digital signal processing.
Two of the most important factors for taking control of the input signal, both for studio and live sound. EVO IN provide a unique precise Arbitrary and Linear Phase Rotation of the signal, to accomplish the very same phenomena as when physically moving the microphone, and a soft saturation to attain roundness and warmth, restoring and maintaining the vitality of the sound without any audible distortion.
SPAT Revolution, the most comprehensive real-time 3D-audio mixing engine ever designed, provide artists, sound-designers and sound-engineers the possibility to control the position of audio-sources in a three-dimensional environment, add room effects, send the result to a loudspeaker setup or a pair of normal stereophonic headphones, or export the result as audio stems to use in any other audio engine. With a solid modular object based concept, the ability to specify and automate the spatialization parameters independently of the output format, support for different types of hardware and software inputs/outputs with network support for audio and automation (using Open Sound Control), innovative 3D-audio signal visualization modes and precise signal level control, it provides a flexible, efficient and creatively inspiring working environment designed to preserve emphasis on simplicity and ergonomics.
Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.
PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.
Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.
Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.
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