TrancerOne v1.1 VSTi WiN

Peace Out | 22.10.2009 | 583 MB

TrancerOne is especially designed for the Dance/Trance/Techno genre. The sound engine based on 4 oscillators. The first two OSCs are so called “unison oscillators”. With these two OSCs you will already be able to produce very phat and floating sounds. The third oscillator is a “regular” virtual analog one with 7 waveforms incl. noise. The fourth OSC is the heart of the TrancerOne. This one is a SoundFont2 oscillator with not less than 64 !!! digital waveforms. The SF2 files are userloadeble, so you will be able to load your own SoundFonts to OSC 4. With this option the TrancerOne will be able to function in any musical style.

Supernatural VSTi WiN

TEAM peace-out | 03.31.2009 | 63.6 MB

Supernatural is a multi-tool player with its 30 different Instruments. For each instrument, there is also a preset. In Supernatural is not only the volume but also the filter effect and the attack time by velocity changes. This creates a dynamic sound which is very natural sound on the behavior instruments oriented. In addition to the integrated tools can be used any Wave file for more variation opportunities. Through the 7 built in effects you can customize each sound.

Upright bass v1.6 WiN MAC

Team DECiBEL | 19 Feb 2020 | 1.25 GB-1.29 GB Each

Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!

Megan VSTi v1.0 x86 WiN

Team NoGRP | 07-03-2007 | 10.90MB

A simple vintage synth with 3 osc’s.

U-he Presswerkm v1.1.5.12092 WiN

Team R2R | 2021.09.25 | 43.33 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

De La Mancha SLiX v1.01 VSTi

Team VORTeX | 10-07-2009 | 364.8 MB

SLiX is a randomising loop slicer, which switches between up to 4 loops and can shuffle, repeat, reverse and gate the slices of each loop according to user defined probability. Load any 4 loops, sync them to tempo, slice them up and then set probabilities that each loop will play and for each randomising effect per loop. Even the randomness is randomised, with a parameter that varies the probability in a user defined range. slix was co-developed with sink, who also provided the included 295 original loops.

Dirty Harry v1.0 VSTi WiN

TEAM ASSiGN | 02 AUGUST 2010 | 7.7 MB

Dirty Harry is an unashamedly DIY Lo-Fi Synth based on the samples of my two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM dirty harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be syncüfd or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique üebad contactüf emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesnüft lack for sound design feaures.

AR-1 v1.0.7 WiN

Team R2R | 24 Sep 2021 | 31.8MB

..::Vintage Mu Compressor::..

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.

MtG v2.2.4 WiN

Team R2R | 06 Dec 2021 | 6.2MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Streamlining workflows for spoken word, sound–for–picture, podcast and broadcast production, MtG automatically fills gaps, of any length, in edited tracks. The plug–in supplies smoothly looped audio, with controls for visualizing and defining loop fills, along with gain controls to seamlessly integrate the looped audio into your material. Use MtG to speed up creation of your music beds, ambience, actualities, foley and, of course, radio and TV audio; anywhere continuous seamless repetitive audio is needed. A cross–platform plug–in, MtG works in your favorite DAW at whatever sample rate you need. For radio, television and podcasting work, go with 44.1 or 48k. For game audio, cinematic production or whenever clarity and resolution is paramount, MtG handles up to 384 kHz with ease.