BMS v2.6 WiN

Team TCD | 28 April 2023 | 5 MB

WiN32/64: VST2/VST3/AAX/x86/x64

BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.

The Spirit v1.0.3 WiN

MOCHA | 29 May 2023 | 9.6 MB

Often sitting at the top of multiple charts, Louis Bell is one of the most successful songwriters, producers, and composers of the 21st century. Louis has engineered and produced some of today’s most prominent vocalists, from names like Justin Bieber and Halsey to Post Malone and Taylor Swift. By capturing emotive and authentic performances, Louis’ vocal production and songwriting have. College dorms, basements, hotel suites and backstage rooms; the modern-day vocal booth can take on all shapes and sizes. The Spirit was designed for all environments, allowing you and the artist to stay focused on the creative process. We carefully distilled Louis’s complex chain of compressors, EQs and creative effects into an intuitive UI so you can concentrate on the performance without the busy work. With a slew of built-in tools and effects, The Spirit can easily dial in a mix-ready vocal chain in seconds. Having the vocalist sounding the way they want to sound — where they feel immortal and untouchable — invites the chance of having a much more creative openness in the studio.helped define modern pop music as we know it.

BLEASS Delay v1.4.2 WiN

TCD | 08 February 2023 | 4 MB

BLEASS Delay transforms your sounds into cinematic and experimental sonic experiences! It is constantly creating flux in the audio signal making your music even more lively. BLEASS Delay is also ideal for making track build-ups and transitions.

Toxic III v1.2 FM SYNTH WiN

AMPLiFY | 13 October 2006 | 5.48 MB

OPERATOR FM SYNTHESIZER

…:_ Orion Edition / Synapse Audio Software _ :…

Toxic 3 is the successor of the award-winning Toxic 2 synthesizer. One of the warmest, crisp, and clear Frequency Modulation engines around, it owes its sound to the precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sounds with an extremely low noise threshold – something that most FM engines cannot offer. The Toxic 3 also includes superior analog-modeling techniques in the filter section. Powerful effects such as EQ, a Distortion unit and two Chorus/Flanger/Delay sections, complete this excellent generator. The user interface is easy to comprehend and allows instant access to all relevant parameters. An additional tool is the built-in sequencer. It offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. With its “Smart Sequencer” technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes.

1A Equalizer v1.0.0 WiN

TCD | 28 September 2023 | 21 MB

Tube based EQ for all use cases you ever think of.

BLEASS Chorus v1.4.5 WiN

TCD | 08 February 2023 | 4 MB

From subtle classic chorus effects to crazy textures, BLEASS Chorus brings stunning stereo modulations to any sound and allows a wide creative freedom for sound design. BLEASS Chorus is a two-stage chorus effect that offers a full control of the stereo image as well as a large range of effects, from subtle stereo wideners to crazy texture generators which you can visualize thanks to a dedicated oscilloscope with a very low CPU usage. Have full control of the stereo image as well as all effect parameters in a one-screen, clean and responsive interface that goes beyond traditional chorusing, giving more creative freedom to sound designers and music producers. Inspired by classic chorus pedals and rack effect units, ideal for thickening synth and guitar lines, BLEASS Chorus comes packed with a wide range of presets.

Empty 250 v2.0.x WiN MAC

Team R2R | 30.03.2016 | WiN: v2.0.9 + MAC: v2.0.8 |  11.3 MB

PLATFORM: WiN32/64 – VST | MAC: AU/VST/AAX

After months of research and tweaks this reverb, based on the first digital reverb machine (the EMT-250). The EMT-250 is known for the very sweet character of its reverb and is used on a lot of famous recordings. It is the favorite reverb for a lot of award winning engineers. Real EMT-250’s are rare and other solutions for obtaining similar results were expensive or unnecessarily complex – until now! With the release of EMpTy 250 this ear candy becomes affordable for each studio and engineer!. EMpTy 250 is not yet another reverb plugin. The character of its sound is unique and sets it apart from other reverb plugins or dedicated hardware reverbs. EMpTy 250 is now available as a VST plugin and is also available as a patch for the Eventide® H8000 and H7500. The plugin can be used in any DAW software supporting Steinberg®’s VST-format, like for example Nuendo, Cubase, Adobe Audition, Reaper, VSThost etc. and does not need any internal DSP card, external box or dongle or special drivers to function. A demo version, which is fully functional and looks identical to the full version, but inserts noise into the output signal every 15 seconds, is available for evaluation of the reverb. A 5.1 version has also been planned.

Antoka v1.0.1 WiN MAC

Team DECiBEL | 24 August 2022 | 25.3MB

Antoka is a bit crusher, foldover resampler and AM/FM crossfader that completely annihilates anything you throw at it. Inspired by legendary guitar pedals that employ ring modulation, envelope following and distortion, Antoka was designed to bring a wealth of tonal capabilities to your session. Dial up extreme bit crushing effects for complete destruction or trim some subtle AM overtones. Antoka has a gain detection and envelope that follows the input signal. This means it will apply a bit crushing envelope over a period of time for each new amplitude trigger. Throw that on top of an LFO, an amplitude modulation / frequency modulation crossfader and you have a huge tool box of sound design possibilities.

MP1 Pro v1.0.1 WiN

Team R2R | 28 April 2023 | 111.59 MB

MP1 PRO PROGRAMMABLE TUBE GUITAR AMPLIFIER

The Most Tonally Flexible Guitar Amplification Since the 80’s NOW plugin. MP1 Pro Guitar Amplifier plugin is based on a ADA MP1* preamplifier. MP1 Pro features a Tri-State Voicing selection that allows you to choose between Distortion Tube, Clean Tube, or Solid State virtual circuits. Powered by four EL34 virtual tubes with presence, resonance, volume and power switch in class AB push-pull configuration. MP1 Pro Guitar Amplifier features six different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs. Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.