Stage v1.0.2 WiN

Team V.R | 07 April 2018 | 17.28 MB

AAX VST VST3 x86 x64

Stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great. And The Stage Is Set! Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit. And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!

Sandman Pro v1.1.1 WiN

TEAM V.R | 15 February 2018 | 8.8 MB

AAX VST VST3 x86 x64

Since its release, Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice genius. A delay plugin with a severe narcoleptic bent, Sandman uses its Sleep mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise and modulated — transforming and mutating sounds beyond all recognition! Using very short delay times, the shape-shifting Sandman alternately becomes a flanger, stutter generator, wavetable synthesizer or percussion resonator. But Sandman also excels at producing traditional echo and stereo ping-pong effects, providing delay times ranging from slapback to longer than a coffee break.

G8 Dynamic Gate v1.3.1 WiN

TEAM V.R | Oct 28 2017 | 4.51 MB

AAX VST VST3 x86 x64

G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’.  Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.

Fault v1.1 WiN

TEAM V.R | Oct 28 2017 | 8.41 MB

AAX VST VST3 x86 x64

No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).

Dent v2.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

AAX VST VST3 x86 x64

It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2. The original Dent was a different kind of distortion plugin, made  for every engineer and sound designer who had ever longed to manipulate the waveform on a molecular level. Now, with the release of Dent 2, audio control freaks rejoice, because Unfiltered Audio has gone subatomic. We’re talking about a let’s-sharpen-the-peaks-on-the-negative-half-of-the-waveform level of control! So if you’re looking for sweet analog hardware emulation, you better look elsewhere, because the mad scientists at Unfiltered are digital to their core, and they know exactly how to turn those ones and zeros into magic.

Sandman v1.3.0 WiN

TEAM V.R | Oct 28 2017 | 6.95 MB

The Delay of Your Dreams

(Win32/64; AAX*, VST3, VST)

Sandman is far more than just a delay plugin; it’s a wormhole to the dreamtime states of your sounds. It’s a deceptively simple gateway to a microcosm of sonic dimensions bordering the absurd. It’s a new way to extract loops and grains from a sound that can be as close to or as far flung from the original, as you like. From the input of just a single sample, Sandman opens a Pandora’s box of endless sonic possibilities.  At first glance, Sandman offers the most basic parameters found on a delay plugin – host synch-able Delay Time and ping-pong feedback, along with a wet/dry mix and a filter for good measure. Use these standard features for flanging, comb filtering, or adding string-like texture to percussive sounds. The Sample Rate parameter can add vintage grime or completely decimate a sound by directly lowering the sample rate of the DSP engine; an adjacent Dirt switch gives you the loving character of a lo-fi recording.

SpecOps v1.0 WiN

TEAM V.R | Oct 28 2017 | 9.51 MB

(Win32/64; AAX*, VST3, VST)

SpecOps is dozens of plugins in one. Inside its easy-to-use interface is a jam-packed armory containing 36 diverse and flexible spectral effects, ranging from subtle to extreme. How you use these potent tools is truly limited only by your creative imagination: transform synthesizer presets with new sonic qualities, add throbbing grunge to drum loops, fatten up instrument tracks, delicately clarify full mixes, or decimate organic instruments and vocals beyond recognition to create one-of-a-kind special effects.

Zip v1.0 WiN

TEAM V.R | Oct 28 2017 | 8.91 MB

(Win32/64; AAX*, VST3, VST)

Calling Zip a compressor is like calling a Lamborghini a passenger car. It does neither one justice. Zip creates unique effects and solves thorny audio challenges in a flash, leaving traditional compressors in the dust. Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip.