Imagine any sound – Kontakt lets you find it, create it, and transform it. The latest edition of our revolutionary sampling platform combines a brand-new set of intelligent tools with countless sound design options, redefining how you generate ideas and make music.
The 1971 Estonia Grand Piano is a comprehensively deep-sampled soviet-era Grand Piano. The Estonia Piano line is known as the secret Steinway of Eastern Europe – with a uniquely dark, emotional, and melancholic characteristic. The Estonia Grand contains both Sustains, Staccato and Plucked articulations, which can seamlessly be tailored together based on your compositional needs. The short note staccatos were recorded with 5 RR pr. velocity layer – offering you the ability to play incredibly fast licks with clear definition on the attack of the sound. The 1971 Estonia Grand Piano also contains our latest Chaos FX designed for sound design. We included many of our new custom Textural Convolution Delays, which gives the instrument the ability to delay textures from other non-piano sound sources.
KOTO 17, the seventh title in the Virtuoso Japanese Series, brings the sounds of the 17-string bass koto, an indispensable part of modern Japanese music, to music creators everywhere. Coming three years after the development of KOTO 13, KOTO 17 benefits from advanced features that coax new tonal qualities from the library. Naturally, KOTO 17 can be used as a solo instrument. But it complements the 13-string koto and shakuhachi extraordinarily well, making it an essential component in both classical and contemporary Japanese music circles. And when paired with other titles from the Virtuoso Japanese Series, such as KOTO 13, KOTO 20, or Shakuhachi, KOTO 17 can complete an incredibly powerful ensemble.
We rerecorded our 1965 Vintage DANELECTRO Baritone Guitar and went deeper this time. Thanks to its many round robins (30 ALTERNATIVE SAMPLES PER KEY), it is as alive as a source of new inspiration. Iconic guitar melodies can be written with ease. Every note has been sampled with its original Analog Tube Tremolo FX from the Amp!
For the past five years, Standalone Music has been hard at work locating and recording analog synthesizers. The meticulously curated library incorporates a variety of synthesizers ranging old, rare and unusual to new and classic models. The sound of these timeless instruments was recorded at 24bit, using high-quality preamps and AD Converters. GETLOW also integrates samples from modern digital synthesizers resulting in a product that delivers the ultimate hybrid machine for modern and at the same time analog sounds that are perfect for Electronic Dance Music.
Join virtual instrument guru for an in-depth look at KONTAKT 7, the virtual sampler instrument that contains everything you need to build up your productions in style. In this KONTAKT video course Eli gets you up and running quickly, explaining how to navigate the interface, set up various routings, manage files/presets, optimize performance, create your own instruments, and much more. These KONTAKT videos are for new KONTAKT 7 users. Eli begins with an overview of the KONTAKT 7 interface. Learn about the various views, the Instrument Rack, the onscreen keyboard, the Info pane, and more. Then explore the fundamental building blocks that KONTAKT 7 uses to construct the instruments. Check out the Library Browser and see how to quickly find the sound you’re looking for with intelligent searches and filtering. Explore the world of presets, snapshots, and file management, so you’ll never have to hunt for that favorite sound again.
Bryce’s dedication to film music led to the development of a guitar of his own design – a guitar that was based on the range and capabilities of a piano. Through the facilitation of transcribing existing piano music faithfully onto this guitar, the instrument became a new and exciting platform to write and perform any style of music, which encouraged more of the hybrid-orientated music. With his move to L.A., Bryce quickly attained a position at Hans Zimmer’s Remote Control Productions where he was part of the writing and production of many hit films, video games and television shows. Through this time, he worked very closely with Grammy Nominated and Emmy Winning composer of “Game of Thrones” fame, Ramin Djawadi. This relationship led to working on projects such as Warner Brothers’ “Clash of the Titans”, MGM/UA’s “Red Dawn”, EA’s “Medal of Honor” and “Need for Speed” and Activision’s “Call of Duty: Modern Warfare 3” among many others. In addition to this, Bryce has also performed on the scores for “Rango”, “Pirates of the Caribbean: On Stranger Tides”, “Puss in Boots”, “Savages” and “Rush”, which features the 7 Octave Guitar.
An extensively multi-sampled Kontakt instrument with 32 high-end presets from the vast collection of over 1000 presets available in the AX73 Collections. It includes presets from sound designers Mark Gijsman, Simone C, Sonic Freaks, Saif Sameer, Summa, SB-SIX, Theo Niessink, JACK, Daniel Stawczyk, Heat Audio, Nori Ubukata, Lukas Lundh, Allert Aalders and Solidtrax. The AX73 Sample Library instrument isn’t just a faithful recreation of the Martinic AX73 plugin. We’ve also added eight post-synth effect units that mimic the FX chain in the Martinic AX73, giving you even more versatility and flexibility in your sound design.
Kontakt 7 has tons of creative features that most of us never use! This course will inspire you to dive deeper and explore all the sound design tools this powerful Native Instruments sampler has to offer. Have fun! There are many reasons why Kontakt is the most popular software sampler in the world. With its huge library of ready-to-play instrument, Kontakt offers instant inspiration to composers and music producers of all genres. And when you get under the hood, things get even better because you can create unique instruments of your own… Rishabh starts the course with an overview of the new browser and user interface. You learn about snapshots, Aux sends and Kontakt Script presets. Explores everything that is new in the Factory Library, from the Acoustic and Orchestral to Choir, Synth collections, and more…
One of the most popular digital synths ever was the DX7 from Yamaha, released in 1983. It featured a whole new type of synthesis called FM (Frequency Modulation). It certainly is not analog and it is difficult to program but can result in some excellent sounds! It is difficult because it is non-analog and thus, a whole new set of parameters are available for tweaking, many of which seemed counter-intuitive and unfamiliar. And programming had to be accomplished via membrane buttons, one data slider and a small LCD screen.
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