Drums of War, a sample library for composers featuring a variety of large, cinematic drums. Drums of War has been used by composers in countless blockbuster films, television shows, and video game productions. Drums of War is a go-to library for achieving big massive percussion in your tracks. Drums of War captures the magnitude and essence of a forgotten battle fought in a forgotten place.
Tetsuya Komuro is on of the most popular dance pop creator in Japan. TRF was setup by him, and still loved by many people. This sampling CD is composed by him, the concept is Japanese Dace Pop. He says that most sampling CDs are released in abroad, and this is not suit for Japanese composer. He gathered many useful samples, recorded Japanese female vocal, and finally this CD was completed.
QUICKSILVER – a powerful Synthesizer NNXTension for your Advanced Sampler. This refill is not ‘just another refill’ or a sampler CD that happens to support the Reason Refill format!. Instead, QUICKSILVER is a refill version of the Yamaha QS300 synthesizer, or to be more precise, the enlarged refill version that nearly gives you a new device to your Reason environment. To understand this, we have to see, how QS300 works…
Sonic Refills Volume 2: Synths 2 delivers even more great synth sounds focusing on pads, FX and misc. vintage & modern synth samples and patches for Reason’s Combinator, NN-XT, Mälstrom and Subtractor modules. (463 MB / 813 sounds) Synths 2 offers rich analog pads, ethereal & moody textures, wicked FX and a variety of atmospheric soundscapes that work for soundtracks and the latest styles of Pop, R&B and Dance music.
Sonic Refills Volume 1: Synths 1 includes a massive collection of synth sounds focused on Leads, Basses and Misc. Vintage & Modern synth samples and patches for Reason’s Combinator, NN-XT, Mälstrom and Subtractor modules. A great sonic resource for phat analog, searing digital, and retro rock sounds including the latest styles of electronic music all in one affordable refill package. (420 MB / 1,117 sounds)
Das Fachmagazin für Musik, Produktion und DJ-ing: BEAT kombiniert kompetente Hard- und Softwaretests mit engagierten Rezensionen sowie Berichten und Interviews aus Musikerkreisen und dem Musik-Geschäft. Wir berichten über Musikproduktion mit aktuellen Synthesizern und Computern, stellen neue Trends im Bereich Recording vor und liegen mit aktuellen Reportagen stets am Puls der Zeit. Viele am Markt bekannten Fachautoren berichten von den verbreiteten Musikproduktions-Lösungen und erfahrene Redakteure betreuen die Entertainment- und Szene-Themen.
Are you ready for a dive? Warm analogue strings, ambient textures, atmospheric pads, fat synth sounds – this is Deepflight.
DeepFlight is a Reason3 refill, based on 1GB sound samples of Roland D-50 synth from the late 80’s. Yes… refill again! Many people think that REFILL is just another storage format for samples. We at Reasonbanks think different. We look at refills as a ROM card in your PCM synth. Yes, it can store samples, but the secret is in the patches… Our refills represent a new approach to NN-XT and Combinator programming, adding a flexible “new instrument device” to your REASON environment. About D-50: Roland D-50 was released in 1987. This synth was Roland’s response to the extremely popular Yamaha DX-7, however it sounded totally differently and was much easier to use. Although it’s a digital synth, it still used real analogue filters, which disappeared in the following D series. That’s why D-50 sounds so fat and beautiful. A real all-time favourite!;-)
The MS20, the Moog Source and the Waldorf Microwave have been carefully sampled and were put into Reason’s samplers making use of the unique alternate sample switch feature the NNXT has on board. This alt switching gives the sampled legends extra realism since no repeated note will sound exactly the same. Just like in the old days The fun part during the production of this refill really began when we started to combine samples coming from these three synths within single patches. Almost all patches have their velocity controlled counter parts to introduce the nowaday possibilities of musical and intuitive control within the realms of the old, originally more static synths.
Taron and Cecil Harding have named this refill their signature refill since the main theme of the refill has nothing to do with any particular musical style… The sounds, samples and patches are very personal expressions and can be used in almost every musical style. In spite of this we strongly believe this refill is a must-have for every composer who works in the film and TV industry.
What are the differences between trance and chill out? How can you create compelling, professional-sounding original or remixed dance tracks? With Dance Music Manual, you’ll get coverage of every aspect of dance music production—from designing sounds to compression, from effects to mixing and mastering—and go even further, with advice on publishing and promoting your tracks. No matter your level of experience, this book is packed with techniques and practical tips to help you achieve professional results, whether you’re an aspiring dance music producer, DJ, remixer, recording engineer, musician, or composer.
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