Cubase 11 comes with a vast range of workflow and performance improvements, as well as exciting new ways to find inspiration and improve your productions. No matter what your musical goals are, Cubase 11 will help you to reach them.
Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.
The Hard Rock EBX is an expansion for EZbass designed for use in bombastic, heavy and genuine hard rock productions where the bass has an unquestionably central role. The instrument, which has cemented its place at the pantheon of hard rock alongside iconic players like Lemmy, Cliff Burton, Roger Glover, Glenn Hughes and Phil Lynott, is nothing short of a bona fide rock star itself. With its gut-punching low end, roaring mid range and zingy but ever-so-balanced highs, it’s the definition of a rock solid bass for serious hard rock songs. Add to that the comprehensive collection of presets and the MIDI that comes with this bulldozer of an EBX and you’ll have what is sure to become a workhorse in your heavy rock toolbox from here on out. If you’re looking for a bass that can muster anything from the piercingly clear to the most gritty, gnarly and wrecking ball-like of tones, this is it. Time to make some bass that rocks hard. Let the low end begin!
MODO BASS® is the first physically modeled bass virtual instrument that gives you an unprecedented realistic performance for your bass tracks. As a producer, you want the best possible bass sound you can get… you want realism, credibility and authenticity that delivers the most accurate and inspiring performance. Sometimes you just can’t hire the right bass player, and some virtual instruments out there can leave you flat and uninspired. Enter MODO BASS — the industry’s first true physically modeled instrument from the leader in analog modeling technology. 8 years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS is a completely new breed of instrument that delivers the best of both worlds: the realism and sound of an instrument being played by a master musician and the convenience of a plug-in virtual instrument.
I proud to present “OuTrun RetroWave” – a collection of 1980’s stylized beats and vintage synths, made for Synthwave, Vaporwave, Chillwave and Indie Dance producers. Provided for you 100% Royalty Free, this pack will bring an attractive selection of retro and oldschool sounds to your music. “Ourun Retrowave ” was produced by Mike Ost and includes 90MB of content, with Loops, One Shots, Bass Shots, FX’s. This Sample Pack comes at 94-155 BPM and features a perfect assortment of playful Drums, retro Basses, vintage Synths, stylish Drum Fills.
Introducing Acousmatic Engine, a distinct library of conceptual samples and multi-dimensional synthesis formed into imaginative and playable instruments; from the creator of Native Instruments Kinetic Metal and Kinetic Toys. Probing the realms of Sci-Fi Noir, Lovecraftian Horror and Steampunk sound worlds with 500 surreal and thematic Kontakt Instruments, Acousmatic Engine provides characteristic sound inspiration with instruments ranging from the unique yet traditional to the completely unimagined, possessing unique sonic lusters and advanced sound design. Get ready to explore a deep collection of otherworldly sounds that will enliven film, game and music compositions across genres.
If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”
Is a chaotic track starting to get to you? Maybe you should make it a little more “Smoov”. Smoov is a soft, clean and transparent sounding program-dependent compressor. It takes inspiration from hardware compressors of the past with a focus on peak detection, meaning that it can quickly and effortlessly react to incoming signals and blend them in with the surrounding audio field. When a busy track needs taming, Smoov softly settles your tracks. The compressor uses a program-dependent envelope influenced by old hardware making the compression sound smooth and dynamic. The peak detection means that Smoov detects the actual amplitude of a signal, resulting in an extremely fast response to tame and control anything that is thrown at it. You’ve got a big, groovy track you think you’re happy with, but you have to ask yourself… “Is it Smoov?”
Put Focusrite Quality, Sound, and Performance into Your DAW!. The Focusrite Scarlett signal-processing plug-in bundle gives you the amazing performance you expect from Focusrite gear — right inside your DAW!. Inspired by the Red and ISA processors, the Scarlett suite includes classic compression, gating, reverb, and EQ plug-ins that don’t just sound and perform like their hardware counterparts; these plug-ins are incredibly easy to use, too! Focusrite puts rack and console gear inside your computer and adds a ton of functionality to these units, so you can get the most out of our mixes. Frankly, Scarlett is an astounding value!.
Not everything in life needs to be hard. Creating a unique sound can be easy and fun. RE4ORM does just that by providing simple macro-driven control over a powerful additive synthesis engine. It’s never been easier to get inspired.
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