SoundHack is a program that has been used in sound design for music and film for the last 12 years. It is a collection of spectral filters which emphasize the creative manipulation of sound. SoundHack has been used on many films – from “The Matrix” to “The City of Lost Children” – and by many recording artists – from Nine Inch Nails to Ry Cooder to J Lesser.
There are many filter plugins on the market today but the Filter Bank Pro is different! It contains two modules allowing endless sound sculpting. The first module seen on the left of the plugin is the heart of the Filter Bank Pro and contains five individual filters. Each of these filters features a Gain control for cutting or boosting, a frequency control for selecting which frequency to filter (1-12,000hZ!), and finally a Q control which narrows or widens the frequency bands being filtered. Over on the right of the plugin you have the more traditional filter module containing five filter types including Low Pass, High Pass, Band Pass, Notch, and Peaking. There are also large and inviting Cutoff and Resonance controls (with sync capable LFO) and the awesome Analogue! knob which adds warmth. The Filter bank Pro also has Input and Output level controls which come in very handy when creating some extreme filtered sounds.
The Mastering Limiter is a high end audio processing advanced peak limiter designed to maximize both the level of the digital signal and the resolution of your final rendered file. The Mastering Limiter’s lookahead peak limiter algorithm provides the mixing and mastering engineer with the capability to increase resolution and production master levels with precise control. Specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with highest quality; the Mastering Limiter is perfect addition to your mixing and mastering tool set. In order to ensure the maximum possible resolution of a processed signal, it is very highly recommended that the Mastering Limiter be used last in the processing chain.
Dreamscape is a musical reverb based on an original concept that excels in analogue warmth at extremely low CPU usage. With its huge array of sonic possibilities, an intuitive and attractive user interface, and highly optimized CPU usage, Dreamscape represents the next generation in Minimal System reverb technology. Dreamscape is a true stereo reverb with possibilities far beyond the conventional. Simply browse the factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Dreamscape does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. You will find that its separate reverb and filter/modulation options make it an excellent choice for recreating expensive hardware-style reverbs, while its extensive tweakability renders it equally suited for more experimental reverb and filter effects.
As a creative Musician, Artist, Producer or Engineer today, you need speed, inspiration, and Club, Radio ready mixes fast. The Slam Dawg is an audio processing plugin that can get your mixes to sound pro with easy controls. The SLAM DAWG was designed to take your mixes to the next level from just one plugin. We have carefully designed this plugin to be extremely intuitive, and easy to get “PHAT” results within minutes. Easily “HEAT” up your beats , busses, tracks or entire mixes by easily dialing in Tube Harmonics, making your sounds “FULL” & “RICH”, widen your tracks with full mono compatibility with just one dial, or dial in some “AIR” (High Frequency Clarity). Your tracks today need great Low End Management, and we have designed the perfect controls for that, just use the “BOOM” “THUMP!” & “MUD OUT” controls for just HUGE Low end without the problems.
Magma comes with 65 Effects. Featuring 1-rack-unit interfaces that can be loaded and rearranged using up to four racks, Magma also comes with a flexible routing matrix enabling serial, parallel or combined routings. Effects categories include Dynamics, Equalizers, Pre-Amps, Distortions, Reverbs, Delays, Modulation, Sequencers, Filters, Special FX, and Guitar FX. Magma’s Virtual Studio Rack (VSR) technology enables users to stack dozens of interchangeable effects in a seemingly infinite number of combinations, all in one easy-to-use plug-in. Magma makes it easy to mix and match effects, create and recall unique chains, and process audio in unique ways. Using Magma is like having a Virtual Studio Rack with a large number of effects at your disposal.
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