Native Instruments Update MAC OSX-R2R
TEAM R2R | 2013.04.10 | 1.79 GB
April 2013
Viewed 6700 By Music Producers.
THE MOUTH! Designed to generate melodies and harmonies out of whatever audio material you feed it, THE MOUTH is a unique and exciting way to get creative results on the fly. Sing, beatbox or send a drum loop into it and THE MOUTH comes to life as a tweakable synthesizer, bass, vocoder or talkbox-like effect. A playful interface provides you with plenty of room to shape your results as you go. – Advanced integration in Maschine 2.0 host software.
After recording and editing a session, take advantage of the lessons in Pro Tools Mixing and Mastering to refine the final mix and master of your project. Avid Certified Expert and pro mix engineer Brian Lee White covers all the basic mixing tools that every producer and engineer should know, from using EQ to add clarity and focus to applying compression and limiting to control dynamics and maximize track levels within a mix. The course stresses the importance of creating a solid mixing plan and setting up the studio before beginning any work in Pro Tools. Throughout the course, Brian lends his insights, inspirations, and studio secrets from over a decade of professional mixing to help you become a better mixer.
The BERLIN CONCERT GRAND is an exceptional instrument. Derived from Native Instruments’ legendary AKOUSTIK PIANO software, its structural transparency, balanced register, and poetic and original style are the definitive characteristics of this concert piano. Sophisticated recording techniques using high-end equipment provided the raw material for the award-winning KONTAKT sample engine, ensuring the BERLIN CONCERT GRAND is indistinguishable from the original.
The Cubase 7.5 update brings a ton of new features and functions to Steinberg’s powerhouse DAW. Let Cubase guru Mark Struthers take you through it all, step by step with this in-depth series of videos. Mark starts with the user interface changes, new track management features, the improved Project Logical Editor, new Track Versions functions, Re-Record Mode, the EDM Toolbox, Instrument Racks, VST Quick Controls and much more.
This installment of Foundations of Audio explains one of the most essential ingredients in audio mixing, reverb—the time it takes for sound to bounce, echo, and decay during a live performance or recording. Reverb gives a natural richness to your recordings, which is possible to reproduce. Producer and audio engineer Alex U. Case covers the acoustic, mechanical, and digital means for creating reverb, and charts the parameters (room size, density, etc.) you’ll need to know to take advantage of the original recording space and enhance it in post. He then shows how to simulate reverb digitally with effects, adding timbre, texture, and contrast, and improve the sound of your mixes with a sense of space and depth.