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  • NEOLD WUNDERLiCH v1.0.0 WiN-R2R
    March 21st, 2024 ⚡
    Categories: VST, VST3, WiNDOWS, x64, x64

    NEOLD-Wunderlich-product-hero-banner-3840x840-MaGeSY

    NEOLD WUNDERLiCH v1.0.0 WiN

    Team R2R | 21 March 2024 | 21.5MB

    A mojo machine for your whole mix

    The epitome of vintage vibes and old-school tones. WUNDERLICH is NEOLD, the creators of U2A and WARBLE, at their best – combining rare analog components into a one-of-a-kind piece of vintage gear, meticulously capturing all its analog character in a unique color box plugin that drenches your mixes in vintage vibes and lo-fi textures – not heard since the 1930s.



    Viewed 12190 By Music Producers.


    • TF-72a v1.0.0 AAX VST3 x64 WiN-R2R
      March 16th, 2024 ⚡
      Categories: AAX, VST3, WiNDOWS, x64

      Tf 72a V1.0.0 Aax Vst3 X64 Win R2r Magesy

      TF-72a v1.0.0 WiN

      Team R2R | 29 July 2023 | 31.4 MB

      Introducing the “TF-72a” – a cutting-edge audio plugin meticulously crafted through the revolutionary power of Neural Networks and Deep Learning. This plugin is a faithful emulation of the legendary Vintage German tube preamp, an iconic piece of German engineering that graced some of the most renowned recording studios of yesteryears. Whether you’re tracking vocals, guitars, drums, or any other instrument, this plugin brings a touch of history and a dose of analog charm to your digital audio workstation. Unlock the secrets of the past and add a timeless sheen to your modern productions with the TF-72a – where the art of yesterday meets the science of tomorrow.



      Viewed 52649 By Music Producers.


      • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS-MORiA
        March 10th, 2024 ⚡
        Categories: AU, macOS, U2B, VST, VST3, x64, x64

        TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

        TE-100 v1.1.3 macOS

        MORiA | 10 March 2024 | 31.9 MB

        The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



        Viewed 60821 By Music Producers.


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