Keyboards Recording No.303 – Janvier 2015

French | PDF | 100 Pages | 101 MB

The French magazine Keyboard Recording, specialized in music products.

The Art of Voice Recording TUTORiAL

TEAM kEISO | 2015.01.16 | 1.81 GB

Voice-overs are everywhere! News reporting, story telling, slide shows, training videos, web presentations, and advertisements are just some of the productions that use voice recordings as an essential element. Producing a good voice-over isn’t difficult, and the equipment you need is inexpensive. The quality of your voice-overs, however, will only be as good as your ability to control the sound and your techniques for capturing the audio. In this course you will learn about basic audio recording techniques, equipment options, acoustic treatment, and how to properly use the gear. In addition to the technical aspect of this course, you will also learn about how to prepare for the read and how to work with clients to make sure expectations are met.

Elite Audio Recording Course TUTORiAL

P2P | Jan 06 2015 | 945 MB

The Elite Audio Recording Course is an in-depth learning system designed to equip students with the knowledge necessary to create their own professional grade audio recordings. We believe that in-depth understanding is the most important tool you can have to accomplish great recordings. So this course isn’t just tips and tricks demonstrations. It is a combination of high quality video and audio lectures as well as demonstrations. We want to make sure entire concepts are fully grasped in every way. You’ll find, once you fully understand each one of these lessons, all that’s left to making great recordings is to put them into practice.

Big Studio Secrets for Home Recording

and Production (CD Content)

English | 1 dec 2014 | 545 MB

This book will teach you the technical prowess you need to make solid recordings, as well as a range of tips and tricks to make your recordings stand out in the crowd. Many famous recordings, ones that sound excellent even by current standards, were made with simpler equipment than most modern home studios have available now. You can expect to glean ideas from classic recordings, understand modern techniques, and — with a little hard work — create the sounds that might place your work within the next generation of influential music. You’ll learn about microphones and microphone technique; how acoustics affect recordings; how to improve your studio on a shoestring budget; how to EQ, compress, and use effects on your tracks; how to produce, arrange, and mix; and how to master your recordings. The companion CD-ROM illustrates the examples with graphics and audio, providing a hands-on approach to learning all the concepts.

Vocal Recording:

A Complete Production Guide TUTORiAL

SYNTHiC4TE | Nov 23 2014 | 643.2 MB

Today, many musicians are wearing multiple hats, including engineer & artist. Unlike most audio courses you’ll find, “Vocal Recording: A Complete Production Guide” goes beyond simple tips to bring you through the entire process of creating hit-sounding vocals, from prepping the session & performing, to setting up a great mix session & mixing the vocals into the track. By hearing techniques from both the singer & engineer’s point of view, you’ll be able to create your own hit tracks within hours!

Sound and Recording – November 2014

True PDF | 100 Pages | German | 8.32 MB

SPECIAL / DRUM-RECORDING IN DER TRESORFABRIK
// SPECIAL DRUM-RECORDING: SCHLAGZEUG KREATIV AUFNEHMEN…

Music Law: Recording, Management, Rights,

and Performance Contracts TUTORiAL

P2P | Nov 07 2014 | 119.4 MB

Music contracts are tricky, but you’re more likely to have a successful career in the music business if you can understand and negotiate their terms. In this course, author and attorney Rich Stim covers the main language, concepts, clauses, and stipulations in four major types of contracts: recording, management, performance, and rights agreements. For example, when it comes to record contracts, it’s important to know how advances and royalties work, how to maintain creative control, and what happens when a member leaves a band. Rich also tackles management contracts, describing what managers can do for you—and what to do when you need to let them go. Next, he explores the basic terms, riders, and payment options in performance contracts. Then learn about releases, artwork permissions, publishing and producer agreements, and other types of legal arrangements. Rich wraps up the course with a discussion of oral agreements, attorney fees and roles, and five basic rules worth remembering for every music contract.