In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

CinePerc PRO v.1.3 KONTAKT

FANTASTiC | 24 March 2020 | UPDATE ONLY: 37 MB | FULL: 92.6 GB

CinePerc is the World’s Most Composer-Friendly Percussion library, spanning orchestral, auxiliary, ethnic and larger-than-life rhythmic instruments. CinePerc was recorded at the SONY Scoring Stage in Los Angeles, and mixed by master engineer Dennis Sands. CinePerc is four libraries in one, containing all content from the original CORE, PRO, EPIC and AUX libraries. Special upgrade paths exist for existing customers of those individual libraries. Check your user area for more information!

JuiceGodBeats Hit Pack Vol.1

P2P | Dec 12 2016 | 25.9 MB

The 1st installment of the Hit Pack series is here! This unique collection of sounds features quick decaying instruments. JuiceGodBeats created 40 custom tuned hits, and 20 percussive hits. The tuned hits are extremely useful for hard hitting trap beats. Brass, choirs, strings, bells, synths, timpani, cymbals, snares, etc were layered and tweaked to make each tuned hit. The percussive hits are big and gritty stomps and impacts that can be used in cinematic, trap, or pop productions.

Resonant Blaze v2.0.1 MASCHiNE

P2P | 30 September 2020 | 896 MB

CONCRETE SYNCOPATED BREAKS

Seismic low end, brooding atmospheres, and full-throttle rhythms for the world of bass and breaks. Exclusively for MASCHINE 2.0. Ultimate low end for floor-shaking bass and breaks, Featuring sounds from MASCHINE 2.0 Drum Synths Brooding, high-energy MASSIVE presets Lay down the heaviest breaks. Create brooding basslines with new MASSIVE presets. Then add finesse to the power with sampled cinematic ambiences, sound effects, and tempo-synced loops. A sonic punch as dense as concrete for drum and bass, dubstep, and trap styles – this is RESONANT BLAZE. RESONANT BLAZE is the first Expansion to take full advantage of MASCHINE 2.0 software. Kits featuring MASCHINE 2.0’s Drum Synths deliver crushing power and pinpoint precision.

LFTM 23 for PiGMENTS 2

SYNTHiC4TE | April 04 2020 | 43 MB

LFTM 23 for Pigments 2 is an ambient cinematic soundbank for the film scoring space traveller and the electronic producer, containing 100 presets, with 75 original presets and 25 alternative versions. Also included are 22 “sweet spot” FX presets, for the reverb and delay effects The set taking the sounds back-to-basics in the vein of early releases with rich pads, silky Vangelis-like keys, bitcrushed yet mellow synth leads, underscoring textures and conceptual granular work with sonics originating from space itself, like the dusty, mesmerizing granular pad Stillness of Stars sculpted out of a short snippet of otherworldly frequencies from Voyager 2 as it passed through the outer magnetosphere in 1979 and the pulsing drone based on the cryptic FRB signals from deep space billions of light-years away, which are intercepted, noise reduced and timestretched 350 times.

ATMOS: Indie Cinematic Textures

P2P | 8 October 2020 | 5.24 GB

ATMOS: Indie Cinematic Textures brings you an exclusive library to compliment any of your compositions. Created with the composer in mind, ATMOS offers a wide variety of keys, time signatures, and BPMs. Whether you need a unique drone, shimmering pad, pulsing beat, compelling percussion, creative lead, or gripping chord progression, this library has it all. Along with the other instruments, ATMOS includes percussion and drum elements that were meticulously multi-track live recorded and are provided in both processed and dry versions. Designed to bring emotion, richness, and depth to your fingertips, ATMOS will enhance, provoke, and provide inspiration to whatever project you may be working on. With over 7+ GB of content, you’ll be sure to find exactly what you need.