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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Lexicon LXP Native Reverb v1.1.2 VST2 WiN-AudioUTOPiA
    March 28th, 2016 ⚡
    Categories: Lexicon, VST, WiNDOWS, x64, x86

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    Lexicon LXP Native Reverb v1.1.2 VST2 WiN

    Team AudioUTOPiA | March 19 2016 | 125 MB

    You’ve just wrapped up tracking with artists that are on the brink of breaking into the game. You start mixing when you realize you are craving more, the ability to envelope your mix with that “magical space” that delivers the clarity, depth and fullness that can only be created when recording in a major studio. So you turn to the most trusted name in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your music with an engaging aura that brings it to life by placing it in the perfect resonant space.



    Viewed 10614 By Music Producers.


    • The RiSER v1.0.7 AAX VSTi WiN-AudioUTOPiA
      February 14th, 2016 ⚡
      Categories: AAX, VSTi, WiNDOWS, x64, x86

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      The RiSER v1.0.7 AAX VSTi WiN

      Team AudioUTOPiA | Jan 11 2016 | 87 MB

      Add Today Custom Installer (All in One Installer)

      The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks. Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.



      Viewed 8508 By Music Producers.


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