Voice Over Professional Audio Recording, Editing and Marketing

FANTASTiC | 11 July 2018 | 786 MB

Do you have a voice? If you answered “yes”, then congratulations! You possess the first and most fundamental ingredient in voice over work. Notice that I didn’t ask “Do you have THE voice?”. There is no “THE” voice. Truly, any voice will do. As you’ll learn in this course, little else is required (some hardware and software) to sell your voice on the Internet. Learn to record and edit your voice to perfection then how to market your voice. Come with me on a journey of discovery as we conquer the online voice over industry.

Audio Production Pryda Style in Logic Pro X

FANTASTiC | 09 July 2018 | 2.16 GB

In this course we are going to create a track from scratch in Pryda style in Logic Pro X. This is the ultimate step by step guide to create music in this style with some 3rd party plugins like Spire and Fabfilter plugins.

Silverbox VSTi v1.0 WiN

TEAM AiR | 12/2007 | 1.6 MB

SilverBox is an authentic digital emulation of the world’s most renowned and famous analog bass line machine. It’s square oscillator accurately models the oscillator of this 80s analog beast, giving a spectrally different square wave for different notes. The in-built sequencer has the traditional behaviour with accents and slides. The accent circuit is probably the most difficult to faithfully reproduce virtually, and most other emulations simply fail to reproduce the typical barking sound.

Mixing Audio with Cubase Part 1 TUTORiAL

FANTASTiC | 03 July 2018 | 1.14 GB

EQ & Compression

This course is designed to make the processing of mixing your track feel more like music and less like engineering. You’ll learn how EQ and compression work together to help you make the right musical choices for each track in your mix. You’ll learn what to listen for when using a compressor.  These stems can be used in an DAW (ProTools, Cubase, Ableton, Logic, etc.). The lessons in this course are presented with Cubase, but the main focus is EQ and Compression which are universal topics that apply to any DAW. Follow along with this walkthrough-style course to learn how the technicalities of mixing with EQ and Compression. With these skills, you’ll be able to stay focused on your music without having to compromise on a half-baked final mix.

Creating Your Own Audio Tools

FANTASTiC | 28 June 2018 | 2.63 GB

For years I’ve been teaching Ableton Live and Max in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost. MaxForLive is a powerful tool that lets users design their own instruments, effects, and devices. It isn’t without its drawbacks: MaxForLive is notoriously difficult to learn. I’ve developed an approach for teaching MaxForLive that focuses on teaching it like a language: You will learn small blocks and patches, understanding the how and the why along the way. As we grow our vocabulary, we “learn how to learn” more and more.

Ableton Live 10 Part 5

ilfsn | 23.06.2018 | 1.68 GB

Audio & MiDi Effects

3 Hours + Project Files

For years I’ve been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost.

Audio Tricks for Mixing TUTORiAL

FANTASTiC | 22 June 2018 | 3.42 GB

This 4 part course is a collection of those cool little tricks that producers and engineers use in the studio to sweeten the sound, and add excitement to a song. Some of these tricks are commonly used on a daily basis, and some are secret weapons only used when in specific situations.  Each video in the course explains one simple trick. It is common practice to use a combination of tricks when producing a song. So once you have the knowledge, it becomes a process of trial and error to learn when each trick is appropriate.