The K-System has three scales: K-12, K-14 and K-20. You choose which scale to use based on genre and delivery format. K-12 is for broadcast and radio. K-14 is for mainstream pop, rock and country. K-20 is for film, classical and high-fidelity recordings. From K-12 to K-20, the scales provide an increasing amount of dynamic range.
AudioFinder is the OS X standard in audio; asset management systems, & music production hub AudioFinder can build a catalog of every sound on your system, save it, and search it instantly to find the sounds you need when you need them. Use AudioFinder to create custom sets for sound categories and specific projects, with fast file browsing to audition, analyze, process, convert, and move or copy the samples in your library. AudioFinder features the ability to add Metadata to your library of sounds, making it simple and easy to find the sounds you’re looking for when you need it. AudioFinder can visualize sounds instantly with the waveform overview and preview them at any pitch via MIDI or the built in keyboard, all in real-time. Sounds can even be previewed through your favorite AudioUnits.
As if from some lost alien city on the far side of the moon, Alien Artifakts evokes the ghostly echoes of a long-dead interstellar civilization. Mind-numbing sounds only a superior intelligence could have created: some incomprehensible and profound, others disturbingly human. “Spooky, electronic sound effects are the name of the game in Alien Artifakts. You get shimmering timbres layered on top of dark sustained tones with pulsating components that come and go, metallic crashes followed by weird throbs and noises that percolate from opposite sides of the stereo field, slowly evolving synthetic soundscapes, staccato arpeggiated patterns, and insanely processed voices…
You have noticed that the audio is sometimes quite low in volume, requiring you to crank up the volume. You have videos for watching, however the audio levels of the movies are too low, so you need to boost the gain somehow. You have tons of video clips and audio tracks that you want to know is there any easy way to adjust the volume to a standard level. Audio Amplifier Pro adjusts the volume of your audio file or video file. It also allows you to normalize all files to the maximum volume possible without clipping audio track or adjust all files to average volume level. With only several clicks this simple tool bumps the audio up. It would keep the video track unchanged, and the audio will be adjusted with an increase or decrease in volume.
RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.
The Faust programming language provides a generic way to implement signal processing algorithms for sound synthesis and processing towards professional audio applications. Thanks to its architecture system, Faust can be used to generate a wide range of ready-to-use elements such as audio plug-ins (e.g., VST, AU, etc.), externals for other computer music environments (e.g., ChucK, Max/MSP, PD, CSOUND, SuperCollider, etc.), standalone applications, mobile apps, web apps, etc. Additionally, it is a great tool to make DSP engines embeddable in larger projects. This course provides an in-depth overview to the Faust programming language including fundamentals of functional programming. Students will implement a wide range of audio effects and synthesizers from scratch and learn how to turn them into various “finished” audio products. It also emphasizes the use of Faust to create DSP engines usable in existing projects.
Studio guru brings you a collection of insightful music studio video tutorials! Get helpful insight and information on how and why to choose certain DAWs, plug-ins, and virtual instruments, including studio workflows and solutions. This series is designed for new music studio producers and engineers who want the opinion of an experienced studio producer. NOTE: No manufacturers sponsored this video series, or were involved in its production. Adam is simply giving you his opinion based on years of studio production work, so it could seem biased and or one-sided at times.Adam begins with important audio software basic requirements, such as being able to measure loudness, get visual feedback, testing a plug-in for aliasing and its overall quality, the difference between gain and loudness, and how to choose a DAW that’s right for you.
