DIVINE for DIVA. Divine sounds for a divine synth. Since the release of Diva, Joseph was amazed by the unparalleled sound quality of the synth. He challenged himself to create his signature emotional, alive and moving sounds using only two envelopes and 2 LFO-s.
Boonie Tunes Volume 1. This is the first edition of his 2 part collection of all original royalty-free instrumental loops for the sampling producer to chop, loop or whatever else you can imagine. These are high quality samples that range from soul to psychedelic rock. This volume comes with over 50 loops in .(Wav) format including Bpm. Compatible with Maschine, MPC, Ableton, FL Studio, Logic, Protools, Reason and more.
Mix is the world’s leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.
The second instrument in our VENTUS Ethnic Winds series of beautiful solo instruments, featuring the enchanting sound of the Irish tin whistle. Includes 16 playing techniques and 450 pre-recorded phrases – 3,180 samples in total! An ornament system allows for unique, authentic performances and TACT (Total Articulation Control Technology) provides the ultimate solution for fully customizable mapping.
Always wanted to sample a grand piano, but what’s the point? The market is oversaturated of piano libraries, and making another one is pointless unless you make it differently. We sampled a grand piano in mono using a low quality cassette recorder. When I say “low quality” I mean “very low quality”. Unlike other libraries availabe, the piano used was new and tuned, just the recorder was old. It has a lofi vibe to it, but without sacrificing dynamics. Don’t expect a clean sound, it’s the opposite. You can hear it on the demos, it’s perfect for music from the 40s, 50s, 60s… But it reminds me too that kind of “rare demos” from the stars of the 60s and 80s. 8 velocity layers, all notes sampled (no pitchshifting). The background noise was annoying (and there was a lot!) so we applied noise reduction but we made a loop file with the noise itself for if you want to use it. We love this instrument, we could play with it all day long, it’s completely addictive! And we loved the making of it, so you can expect other instruments recorded with this method.
One of our oldest and coolest synths! And from a company more known for hot-water systems. Of course! The RKB has two basic sounds (fuzz-on & fuzz off) with some simple EQ and envelope controls. We sampled both the natural and fuzz settings with the Bass Booster on full. This way, you’ll get the real balls of the original Kee. Our Bass Booster lever sort of works in reverse. As you pull the lever down, it gradually cuts frequencies around 80Hz so that it sounds almost identical to the original when all the way down, and doesn’t knock you off your feet when boosted to full. All the front panel controls have been replicated with an extended feature set without compromising the Katra from the original instrument. If you’re after some vintage analog bass that isn’t another x0x, please consider our K Bass. It provides deep, subby bass and really has its own thing going on.
Contained within this programmed sample pack are all of the tools needed to produce the next club hit. Each sample and patch was crafted to perfection so you don’t have to spend hours engineering your sounds to ‘sit in the mix.’ Right out of the box you have perfectly rounded, pumping kicks, pristine hats and percussion, snappy snares and a lush sound palette of multisampled synths, instruments, found sounds, and mutating atmospheres to choose from. You’ll also get a huge assortment of stabs, drumloops, chop-ready breaks and loops of all varieties.
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