BLEASS Dragonfly is a completely new approach to tremolo effect which brings new sonic possibilities to all music producers. Make your synths, voices or any melody “vibrate” in correspondence with its own frequencies, or with external basses and leads! Just like in Billie Eilish’s song “Xanny”, Dragonfly helps you achieve the same effect as when the voice gets modulated by a heavy bass.
The Sonoris Parallel Equalizer (SPEQ) is a minimum phase parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. The plugin is suitable for mixing and especially mastering. It has fixed filter types on each band and band 2 to 6 are connected in parallel. The filters are build in a feedback/feedforward manner to provide cutting and boosting, like in analog graphic equalizers. Band 3 to 5 are constant-Q bells and 2 and 6 are shelves. Band 1 and 7 are low/high cuts and connected in series with the rest.
Prosoniq offers you an all-digital simulation of a realistic analog vocoder effect that is fully customizable and comes with an 8-voice virtual analog synthesizer unit, Freeform EQ and Filterbank Reverb, all in one plug in. Heard on countless songs in multiple genres worldwide, ORANGE VOCODER VST is indeed THE classic software vocoder plug-in. Originally developed by Prosoniq in 1998, ORANGE VOCODER has since evolved through numerous iterations, always staying at the cutting edge right to this day. It has a reputation for being the single most transparent sounding and flexible vocoder plug-in available…and we at Zynaptiq agree. ORANGE VOCODER features a built-in 32-voice synthesizer, 8 different vocoder algorithms ranging from analog modelled circuits to far-out digital cross-synthesis modes, filter-bank freezing and reverb, a 10-band graphic EQ, and more…a dream-machine for creating new sounds!
If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.
The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band. Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together.
Midas-Powered Parametric Channel EQ Plug-In with Optional Analog-Feel Desktop Interface. With 12 bands of parametric EQ, intuitive controls, and legendary Midas tone, the PEQ 3000 is a versatile EQ plugin which brings the smooth response and immediacy of a Midas console to your DAW.
