🎵 MaGeSY ® R-EVOLUTiON™⭐

  • 50 Series Bundle v1.0.1 WiN MAC-TRAZOR
    February 25th, 2022 ⚡MaGeSY®
    Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64, x64, x86, x86

    50 Series Bundle v1.0.1 WiN MAC-TRAZOR

    50 Series Bundle v1.0.1 WiN MAC

    TRAZOR | Feb 24 2022 | MAC: 85.4 MB | WiN:170.2 MB

    PLATFORM: AU/VST/VST3/AAX(MODiFiED)

    Transform your DAW into an analog desk

    There’s a tight and powerful sound to API consoles, preamps, and EQs that have made them some of the world’s favorites for creating professional-sounding drums, guitars, synths, and more with attitude and presence. Thanks to Brainworx’s patented Tolerance Modeling Technology* (TMT), you can now access the most convincing model of these classic consoles ever, including the slight channel-to-channel variances in the values of their analog components.



    Viewed 111820 By Music Producers.


    • The 80 Series v1.0.3 WiN MAC-TRAZOR
      February 25th, 2022 ⚡MaGeSY®

      The 80 Series v1.0.3 WiN MAC-TRAZOR

      The 80 Series v1.0.3 WiN MAC

      TRAZOR | Feb 25 2022 | MAC: 186.6 MB | WiN: 230.9 MB

      One of the most beloved consoles emulated to the core – Neve 80 Series Console and 80 Series Mix Buss emulations. This bring you their exacting emulation of the original 1073/1084/ 2254 and 1272 line amplifier module into your DAW. One of the classic hand-wired mixing consoles made by Neve Electronics, the 8028 is a truly magical desk on which countless seminal records have been cut in the last 30 years; think Queen, David Bowie, Nirvana, Red Hot Chilli Peppers and Slipknot – the sound of this analog legend is nothing short of extraordinary. In the 80 Series, you will find aggression and power to make your records sound as analog as possible. Dating back to 1969 when it was first brought to the market, the 80 series analog mixing desks attained somewhat of a cult-like status due to their uniqueness and rarity. Known for their breathtaking depth, pristine high end and rich definition, the individual modules that comprise these desks have stood the test of time. It’s no wonder that institutions like Sound City Studios, Oscilloscope Labs, Electric Lady Studios and Sphere Studios have relied on the sound and features offered by this desk.



      Viewed 51517 By Music Producers.


      • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R
        July 15th, 2021 ⚡MaGeSY®
        Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64, x86

        TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

        TE-100 v1.1.1 WiN

        Team R2R | August 23 2020 | 15 MB

        PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

        The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



        Viewed 45294 By Music Producers.





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