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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Ableton Live 11 Suite v11.3.22 iNTEL U2B macOS-HCiSO
    March 13th, 2024 ⚡

    Ableton Live 11 Suite v11.3.22 INTEL U2B macOS-HCiSO

    Ableton Live Suite v11.3.22 macOS

    TEAM HCiSO | 13 March 2024 | U2B: 3.23 GB | iNTEL: 3.00 GB

    Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.



    Viewed 647275 By Music Producers.


    • Tape Pro v1.3.1 AU VST3 U2B macOS-MORiA
      March 11th, 2024 ⚡
      Categories: Apple Silicon, AU, macOS, U2B, VST3

      Tape Pro v1.3.1 U2B macOS-MORiA

      Tape Pro v1.3.1 MAC

      TEAM MORiA | 11 March 2024 | 235.5 MB

      Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.



      Viewed 14429 By Music Producers.


      • TM-700 V2 v2.0.0 U2B macOS-MORiA
        March 10th, 2024 ⚡
        Categories: Apple Silicon, AU, macOS, U2B, VST, VST3

        TM-700 V2 v2.0.0 U2B macOS-MORiA-MaGeSY

        TM-700 V2 v2.0.0 U2B macOS

        MORiA | 10 March 2024 | 88.1 MB

        …: AU | VST | VST3 :…

        The Warm and Lush Sound of a renowned American Tape Machine recreated via – NM2 Technology. Sampled at 192 kHz, model upsamples and runs at 192k. Authentic Tape compression and saturation. Great on almost any meteril and entire mixes. True Stereo 2 Track Imaging. Incredible sound! With its cutting-edge technology, this plugin captures the essence of real tape, reproducing its softening of transients and pleasant-sounding saturation and compression.



        Viewed 19403 By Music Producers.


        • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS-MORiA
          March 10th, 2024 ⚡
          Categories: AU, macOS, U2B, VST, VST3, x64, x64

          TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

          TE-100 v1.1.3 macOS

          MORiA | 10 March 2024 | 31.9 MB

          The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



          Viewed 61279 By Music Producers.


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